Nymphs and Satyr

Three nymphs playfully drag a Satyr into a woodland pond, while a fourth calls to her companions in the distance. Satyrs—half-man, half-goat—were reputedly unable to swim. Bouguereau exhibited this painting, accompanied by a verse from the Latin poem that inspired it, at the 1873 Paris Salon. Its vaguely classical subject provided an ideal opportunity to demonstrate his skill painting the female nude from multiple viewpoints. An American collector immediately bought the work, which eventually ended up on display in the bar of New York City’s Hoffman House, where Sterling Clark first encountered it.

William-Adolphe Bouguereau

French, 1825–1905

Nymphs and Satyr

1873

Oil on canvas

102 1/2 x 72 in. (260.4 x 182.9 cm) Frame: 122 1/8 x 90 3/4 x 7 in. (310.2 x 230.5 x 17.8 cm)


Acquired by Sterling and Francine Clark, 1942

1955.658


ON VIEW

VIEWS & VOICES

Glenn Lowry, director of the Museum of Modern Art, reminisces about the first time he laid eyes on Nymphs and Satyr.

Exhibition Brochure

Click here to read a brochure produced for the exhibition Bouguereau's Nymphs and Satyr: The Biography of a Painting (1985).

Conservation View

View of painting before 2012 treatment at the Williamstown Art Conservation Center. Pre-cleaning.