Art History and the Moving Image


Since Aby Warburg wrote his doctoral dissertation on the appearance of movement in Botticelli's paintings, art historians have been engaged with the elusive relationship between actual motion and the resources the visual arts have to represent, to suggest, or to record motion. This workshop addressed a number of themes, including how painters and sculptors from antiquity through the baroque create the illusion of movement in a fixed image; how artists and historians have understood serial images, from the Column of Trajan through the art of comic books; and how depicted movement is related to narrative. Other conversations explored how architectural history is increasingly interested in movement and, from another point of view, how filmmakers and video artists have experimented in setting in motion still tableaux, as well as how recent work in film studies and art history has focused on how art and cinema are intimately related.

Participants included

Tom GunningUniversity of Chicago
Joan JonasArtist and Getty Visiting Scholar
David JoselitYale University
Elizabeth KotzUniversity of Minnesota, Twin Cities, and Getty Postdoctoral Fellow
Thomas LevinPrinceton University and Getty Scholar
Davide StimilliUniversity of Colorado, Boulder, and Clark Fellow
Eve SussmanArtist
Jonathan UnglaubBrandeis University and Clark Fellow
Susanne von FalkenhausenHumboldt-University, Berlin and Clark Fellow
Jonathan WeinbergIndependent Scholar, Artist, and Clark Fellow