Thomas Schütte: Crystal

Thomas Schütte: Crystal is the contemporary artist’s first full-scale architectural artwork in the United States. Located on a meadow near the top of Stone Hill, Crystal provides visitors the opportunity to reflect on how landscapes and places are constructed and preserved. Pick up a trail map at admissions and take a hike to the installation.

Visit ArtCountry!

Explore ArtCountry: Four incredible museums and an amazing theatre festival. ArtCountry is less than three hours from New York and Boston. Check out what’s happening!

The Impressionist Line

The Impressionist Line: From Degas to Toulouse-Lautrec showcases the hallmarks of the “Impressionist line,” including drawings by Claude Monet, color woodcuts by Paul Gauguin, etchings by Édouard Manet, pastels by Edgar Degas, and color lithographs by Henri de Toulouse-Lautrec. The exhibition is on view in the Eugene V. Thaw Gallery for Works on Paper, located in the Manton Research Center.

Try our multimedia guide!

Connect more deeply with art—including Clark favorites like John Singer Sargent's Fumée d'ambre grisusing a multimedia guide, available at the admission desk ($5/$3 members). Or, download the Clark's mobile app onto your smartphone using iTunes or Google Play™.

Museum Store Sunday

Sunday, Nov 26
10 am-5 pm
Receive twenty percent off all Museum Store purchases as part of National Museum Store Sunday. Peruse our eclectic selection of jewelry, decor, gift items, and fine art books. Enter to win a family/dual membership (value $100)—no purchase required!

New Parents Gallery Talk

Friday, Dec 1, 10:15 am
The Clark warmly welcomes new parents and their infants into the galleries for an informal gallery talk. This program is designed to give parents a break from thinking about “all things baby” and is best suited for parents with pre-toddlers. Strollers and front-carrying baby carriers are permitted. 

Mary Cassatt's Prints: Experiments in Understanding

Sunday, Dec 3, 3 pm
Art historian Nancy Mowll Mathews, Eugénie Prendergast Senior Curator, Emerita at the Williams College Museum of Art, explores how Impressionist artist Mary Cassatt worked with preliminary states (stages in the development of a print), which the esteemed print scholar William Ivins called “experiments in understanding.”