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For Immediate Release
March 12, 2025

CLARK ART INSTITUTE RESEARCH AND ACADEMIC PROGRAM PRESENTS LECTURE BY INÊS BELEZA-BARREIROS ON COLONIALISM, IMAGE-MAKING, AND IMAGE-READING


Williamstown, Massachusetts—On Tuesday, April 15, the Clark Art Institute’s Research and Academic Program presents a talk by Inês Beleza-Barreiros (Nova University of Lisbon, Portugal / Michael Ann Holly Fellow) on “Thinking Visually: Reparation, Gesture, Reparation.” This free event takes place at 5:30 pm in the Manton Research Center auditorium.

Beleza-Barreiros explores how colonialism inaugurated an epistemological tradition molded by image-making and image reading that remains operational to this day. Images neither illustrate arguments; they are themselves the (colonial) argument. Nor are they documents of colonialism; they are colonialism in action. As art historians dealing with the visual colonial archive, and in the name of “historical truth” and “documental authority,” we often end up reifying the past in the present. Through the process of reproduction and circulation, we eternalize colonial epistemicide. How can we use the visual archives of power to elaborate on a critique of domination? How can we examine colonial visuality without eternalizing its spell in the present? How can we reclaim the ontology of critique as reparative? Inspired by the work of Aby Warbug and its projection onto new forms of visual exploration of the archive pursued by artists and filmmakers, Beleza-Barreiros elaborates on a methodological critique, visual archaeology, which provides a way of thinking visually. The image can cease to be a “thing” and instead become the process of its own deconstruction.
 
Beleza Barreiros is an art historian, cultural critic, and curator. Her work focuses on how art and images become knowledge-producing objects. She is particularly invested in the visual culture, public memory, and afterlives of colonialism in the Portuguese-speaking world. Trained in the United States, Portugal, and France, Beleza Barreiros is currently a researcher at ICNOVA, School of Social Sciences and Humanities at Nova University of Lisbon. She has been working on award-winning documentary films that explore the relation between cinema and other arts, such as painting and landscape. Publications include Sob o Olhar de Deuses sem Vergonha: Cultura Visual e Paisagens Contemporâneas (2009). At the Clark, she will work towards the completion of Thinking Visually: The Afterlives of the Plantation. Combining decolonial visual studies and ecocritical art history, this practiced-based project aims to re-historicize the plantation as an aesthetic regime of extraction that endures, and visualize what has resisted this regime, while expanding the analysis of images of the plantation and their role within art history.

Free. Accessible seats available; for information, call 413 458 0524. A 5 pm reception in the Manton Research Center reading room precedes the event. For more information, visit clarkart.edu/events
 
ABOUT THE CLARK
The Clark Art Institute, located in the Berkshires of western Massachusetts, is one of a small number of institutions globally that is both an art museum and a center for research, critical discussion, and higher education in the visual arts. Opened in 1955, the Clark houses exceptional European and American paintings and sculpture, extensive collections of master prints and drawings, English silver, and early photography. Acting as convener through its Research and Academic Program, the Clark gathers an international community of scholars to participate in a lively program of conferences, colloquia, and workshops on topics of vital importance to the visual arts. The Clark library, consisting of nearly 300,000 volumes, is one of the nation’s premier art history libraries. The Clark also houses and co-sponsors the Williams College Graduate Program in the History of Art.

The Clark, which has a three-star rating in the Michelin Green Guide, is located at 225 South Street in Williamstown, Massachusetts. Its 140-acre campus includes miles of hiking and walking trails through woodlands and meadows, providing an exceptional experience of art in nature. Galleries are open 10 am to 5 pm, Tuesday through Sunday from September through June and daily in July and August. Admission is free to all from January through March and is $20 from March through December; admission is free year-round for Clark members, all visitors age 21 and under, and students with a valid student ID. Free admission is also available through several programs, including First Sundays Free; a local library pass program; and EBT Card to Culture. For information on these programs and more, visit clarkart.edu or call 413 458 2303.

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