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Oxen Plowing Slider Image 1
Oxen Plowing Slider Image 2

Constant Troyon

French, 1810–1865

Oxen Plowing

1860

Troyon’s painting shows a young plowman steering six large oxen ahead of a gathering storm. This work is a scaled-down version of a much larger painting that earned lavish praise when the artist exhibited it at the Universal Exposition of 1855 in Paris. Prolific and adept at disseminating his work, Troyon had a long and successful career as a painter of country scenes.

Medium oil on canvas
Dimensions 38 1/4 x 51 1/8 in. (97.2 x 129.8 cm)
Object Number 1955.56
Acquisition Acquired by Sterling and Francine Clark before 1955
Status Off View

Image Caption

Constant Troyon, Oxen Plowing, 1860, oil on canvas. Clark Art Institute, 1955.56

Select Bibliography

Sterling and Francine Clark Art Institute. Exhibit Four: First Two Rooms. Exhibition catalogue. Williamstown, MA: Sterling and Francine Clark Art Institute, 1955. Champlin, J. H., Jr., ed. Cyclopedia of Painters and Paintings. New York: Charles Scribner's Sons, 1886. Sterling and Francine Clark Art Institute. List of Paintings in the Sterling and Francine Clark Art Institute. Williamstown, MA: Sterling and Francine Clark Art Institute, 1970. Sterling and Francine Clark Art Institute. List of Paintings in the Sterling & Francine Clark Art Institute. Williamstown, MA: Sterling and Francine Clark Art Institute, 1972. Boime, Albert. "The Case of Rosa Bonheur: Why Should a Woman Want to be More Like a Man?". Art History, 4:4. (Dec. 1981).:pp. 384-409. Sterling and Francine Clark Art Institute. List of Paintings in the Sterling and Francine Clark Art Institute. Williamstown, MA: Sterling and Francine Clark Art Institute, 1984. Kern, Steven, ed. List of Paintings in the Sterling and Francine Clark Art Institute. Williamstown, MA: Sterling and Francine Clark Art Institute, 1992. Lees, Sarah, ed. Nineteenth-Century European Paintings at the Sterling and Francine Clark Art Institute. Williamstown, MA: Sterling and Francine Clark Art Institute; New Haven and London: distributed by Yale University Press, 2012.

EUROPEAN PAINTINGS CATALOGUE ENTRY

Provenance

Probably Frederic Boucheron, Paris (by 1883–d. 1902); probably Louis Boucheron, his son, by descent (1902–35, his sale, Galerie Jean Charpentier, Paris, 28 May 1935, no. 10, ill., as Boeufs au labour, sold to Knoedler);¹ [Knoedler, Paris, sold to Clark, probably June 1935]; Robert Sterling Clark (1935–55); Sterling and Francine Clark Art Institute, 1955. 1. In the sale catalogue, the collection is labeled only as “appartenant a Monsieur X .” The SCIPIO database identifies the seller as Boucheron, the jeweler.

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