Invoice from Durand-Ruel, New York, to Robert Sterling Clark for the purchase of five paintings. Dated 18 February 1933.
Receipt from Durand-Ruel, New York, to Robert Sterling Clark for the purchase of five paintings. Dated 3 March 1933.
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Pierre-Auguste Renoir, Portrait of Madame Monet (Madame Claude Monet Reading)
Pierre-Auguste Renoir
French, 1841–1919
Portrait of Madame Monet (Madame Claude Monet Reading)
c. 1874
During the early 1870s, Renoir and Monet often painted side by side, producing images of the same subject and sometimes using each other—and other family members—as models. In Renoir’s informal portrait of Camille Monet, the painter’s wife sits on a comfortable sofa reading a paperback book. Small touches of color cover the canvas like stitches in a tapestry. A blue line runs down the middle of Mme Monet’s dress, echoing the angle of the Japanese fans on the wall.
Medium
oil on canvas
Dimensions
24 5/16 x 19 13/16 in. (61.7 x 50.3 cm)
Frame: 34 x 29 7/8 x 3 1/4 in. (86.4 x 75.9 x 8.3 cm)
Object Number
1955.612
Acquisition
Acquired by Sterling and Francine Clark before 1955
Status
On View
Image Caption
Pierre-Auguste Renoir, Portrait of Madame Monet (Madame Claude Monet Reading), c. 1874, oil on canvas. Clark Art Institute, 1955.612
Select Bibliography
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Paris: Grand Palais.. Salon d'automne.. Oct. 15-Nov. 15, 1904..
Durand-Ruel. A Selection from the Pictures by Boudin, Cézanne, Degas, Manet, Monet, Morisot, Pissarro, Renoir, and Sisley. Exhibition catalogue. Paris: Durand-Ruel, 1905.
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Feeney, Maura. A La Mode: Women's Fashions in French Art, 1850-1900. Exhibition catalogue. Williamstown, MA: Sterling and Francine Clark Art Institute, 1982.
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Kern, Steven, et al. A Passion for Renoir: Sterling and Francine Clark Collect, 19161951. Exhibition catalogue. New York: Harry N. Abrams, Inc., in association with the Sterling and Francine Clark Art Institute, 1996
Ottawa: National Gallery of Canada. Renoir's Portraits: Impressions of an Age. June 27-Sept. 14, 1997; Art Institute of Chicago, Oct. 17, 1997-Jan. 4, 1998; Kimbell Art Museum, Feb. 8-April 26, 1998. (Exh. cat. by Colin Bailey et al.). National Gallery of Canada and Yale University Press, London..
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Sterling and Francine Clark Art Institute. List of Paintings in the Sterling and Francine Clark Art Institute. Williamstown, MA: Sterling and Francine Clark Art Institute, 1970.
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Ivinski, Patricia R. "Robert Sterling Clark as a Collector of Renoir." The Magazine Antiques 62, no. 4 (October 1997): 532–35.
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Hansen, Dorothee and Wulf Herzogenrath. Monet und Camille: Frauenportraits im Impressionismus. Kunsthalle Bremen, October 15, 2005- February 26, 2006. Munich: Hirmer Verlag GmbH. 2005.
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Lees, Sarah, ed. Nineteenth-Century European Paintings at the Sterling and Francine Clark Art Institute. Williamstown, MA: Sterling and Francine Clark Art Institute; New Haven and London: distributed by Yale University Press, 2012.
Ganz, James A. and Richard R. Brettell. Great French Paintings from the Clark: Barbizon through Impressionism. Exhibition catalogue. New York: Skira Rizzoli Publications; Williamstown, MA: Sterling and Francine Clark Art Institute, 2011.
McBride, Henry. "The Renoirs in America: In Appreciation of the Metropolitan Museum's Exhibition." The Art News 35, no. 30 (24 April 1937): 59–76.
The artist, sold to Durand-Ruel, before 1891¹; [Durand-Ruel, Paris and New York, before 1891–1933, sold to Clark, 2 Feb. 1933]; Robert Sterling Clark (1933–55); Sterling and Francine Clark Art Institute, 1955.
1. The painting was re-entered as part of Durand-Ruel’s stock on 25 Aug. 1891, indicating that it had been purchased earlier.