David Octavius Hill
Scottish, 1802–1870
Robert Adamson, (British, 1821–1848)
Sir David Brewster
c. 1844
Medium | salt print from a calotype negative |
Dimensions | image: 7 3/4 x 5 11/16 in. (19.7 x 14.4 cm) sheet: 14 1/8 x 10 1/4 in. (35.9 x 26 cm) |
Object Number | 1998.37.1 |
Acquisition | Acquired by the Clark, 1998 |
Status | Off View |
Image Caption
David Octavius Hill, Sir David Brewster, c. 1844, salt print from a calotype negative. Clark Art Institute, Acquired by the Clark, 1998.37.1
Select Bibliography
Ford, Colin (intro); essay by Roy Strong. An Early Victorian Album: The Photographic Masterpieces (1843-1847) of David Octavius Hill and Robert Adamson. New York: Alfred A. Knopf. 1976.
John Charles Fuller.. The Photographic Image in England from 1939-1865: An Interrelated Study of Photography and Painting Showing the Emergency of a New Medium Amid Acadmic and Pre-Raphaelite Art.. Ann Arbor (Mich.): University Microfilns.. 1968..
Heinrich Schwarz.. David Octavius Hill: Master of Photography.. London: George C. Harrap.. 1932..
Graham Smith.. Disciples of Light: Photographs in the Brewster Album.. Malibu: The J. Paul Getty Museum.. 1990..
David Harris.. "Sketches in Brown: The Portrait Photography of David Octavius Hill and Robert Adamson." Hill & Adamson. (Cur. Keith Bell).. Saskatoon (Canada): Mendel Art Gallery.. 1970..
Mike Weaver, ed.. British Photography in the Nineteenth Century: the Fine Art Tradition.. Cambridge: Cambridge University Press.. 1989..