Timoteo Viti
Italian, 1469–1523
Study of a Nude
1479–1523
| Medium | black chalk with touches of white on paper |
| Dimensions | Overall: 9 5/8 x 6 9/16 in. (24.5 x 16.6 cm) |
| Object Number | 1955.1461 |
| Acquisition | Acquired by Sterling and Francine Clark before 1955 |
| Status | Off View |
Image Caption
Timoteo Viti, Study of a Nude, 1479–1523, black chalk with touches of white on paper. Clark Art Institute, 1955.1461
Select Bibliography
Haverkamp-Begemann, Egbert, Standish D. Lawder, and Charles W. Talbot, Jr. Drawings from the Clark Art Institute: A Catalogue Raisonné of the Robert Sterling Clark Collection of European and American Drawings, Sixteenth Through Nineteenth Centuries, at the Sterling and Francine Clark Art Institute, Williamstown. 2 volumes. New Haven: Yale University Press, 1964.
Sterling and Francine Clark Art Institute. Exhibit Fifteen: Italian Paintings and Drawings. Exhibition catalogue. Williamstown, MA: Sterling and Francine Clark Art Institute, 1961.
Sterling and Francine Clark Art Institute. Exhibit Thirty-one: Drawings of the 16th, 17th and 18th Centuries. Exhibition catalogue. Williamstown, MA: 1965.
Wildenstein & Company. An Exhibition of Treasures from the Sterling and Francine Clark Art Institute, Williamstown, Massachusetts: Paintings, drawings & rare silver, for the benefit of the Committee to Rescue Italian Art, inc. (CRIA). Exhibition catalogue. New York: Wildenstein & Company, 1967.
Sylvia Ferinol.. "Timoteo Vitis Zeichnungen zum Verlorenen Martinszyklus in der Kapelle des Erzbischofs Arrivabene im Dom von Urvino.". Mitteilungen des Kunsthistorischen Institutes in Florenz, vol. 23, no. 1/2.. (1979)..
Lutz S. Malke, Städel.. Italienische Zeichnungen des 15. und 16. Jahrhunderts.. Frankfurt: Städelsches Kunstinstitut und Städtische Galerie.. August, 1980..
Provenance
Marquis Ph. de Chennevières (according to Knoedler); J. P. Heseltine (L. 1507, on reverse);* Knoedler, Paris (bought by Robert Sterling Clark, 1913). *"L." refers to F. Lugt, Les Marques de collections de dessins et d'estampes, Amsterdam, 1921 and Supplément, The Hague, 1956.
