After Perugino (Pietro di Cristoforo Vannucci)
Italian, c. 1450–1523
The Baptism of Christ
c. 1510
Medium | metal point with touches of white heightening (oxidized to black) on grayish-white prepared paper |
Dimensions | Overall: 11 1/4 x 7 5/8 in. (28.6 x 19.4 cm) |
Object Number | 1955.1469 |
Acquisition | Acquired by Sterling and Francine Clark before 1955 |
Status | Off View |
Image Caption
After Perugino (Pietro di Cristoforo Vannucci), The Baptism of Christ, c. 1510, metal point with touches of white heightening (oxidized to black) on grayish-white prepared paper. Clark Art Institute, 1955.1469
Select Bibliography
Paris: Knoedler Galerie.. Exposition de dessins de la collection J. P. Heseltine.. April 23, 1913..
Sterling and Francine Clark Art Institute. Exhibit Fifteen: Italian Paintings and Drawings. Exhibition catalogue. Williamstown, MA: Sterling and Francine Clark Art Institute, 1961.
Sterling and Francine Clark Art Institute. Exhibit Thirty-one: Drawings of the 16th, 17th and 18th Centuries. Exhibition catalogue. Williamstown, MA: 1965.
Sterling and Francine Clark Art Institute. A Selection of Drawings from the Collection of the Clark Art Institute. Exhibition catalogue. Williamstown, MA: The Clark, 1974.
John Postle Heseltine.. Original Drawings by Old Masters of the Italian School, forming part of the collection of J. P. H.. London: privately printed, repr. by J. J. Waddington.. 1914..
Haverkamp-Begemann, Egbert, Standish D. Lawder, and Charles W. Talbot, Jr. Drawings from the Clark Art Institute: A Catalogue Raisonné of the Robert Sterling Clark Collection of European and American Drawings, Sixteenth Through Nineteenth Centuries, at the Sterling and Francine Clark Art Institute, Williamstown. 2 volumes. New Haven: Yale University Press, 1964.
Provenance
Bertini, Milan (according to Heseltine); J. P. Heseltine, London (L. 1507, on reverse); Knoedler, Paris (bought by Robert Sterling Clark, 1913). *"L." refers to F. Lugt, Les Marques de collections de dessins et d'estampes, Amsterdam, 1921 and Supplément, The Hague, 1956.