Joachim Anthonisz Wtewael
Dutch, 1566–1635
The Wedding of Peleus and Thetis
1612
The gods of ancient Greece celebrate the wedding of Peleus and Thetis, the future parents of Achilles. Only Eris, goddess of discord, had not been invited, though she makes a dramatic appearance. Hovering over the festivities on bat-like wings, she holds a golden apple that will cause an argument among the assembled goddesses, eventually leading to the Trojan War. Paintings on copper, like this one, were highly prized by collectors. The metal’s smooth surface enabled Wtewael to include tiny details that draw the viewer into the story.
Medium | Oil on copper |
Dimensions | 14 3/8 x 16 9/16 in. (36.5 x 42 cm) Frame: 18 5/8 × 21 × 2 3/8 in. (47.3 × 53.3 × 6 cm) |
Object Number | 1991.9 |
Acquisition | Acquired by the Clark, 1991 |
Status | On View |
Image Caption
Joachim Anthonisz Wtewael, The Wedding of Peleus and Thetis, 1612, Oil on copper. Clark Art Institute, Acquired by the Clark, 1991.9
Select Bibliography
Gibson, Sara. "Bacchanalia/Orgy" in Encyclopedia of Comparative Iconography: Themes Depicted in Works of Art, Volume I, edited by Helen E. Roberts, 95-101. Chicago and London: Fitzroy Dearborn Publishers, 1998.
Sturgis, Alexander. Telling Time. London: National Gallery. 2000.Bok, M.J., and P. Huys Janssen. “20: De beeldende kunsten.” In Geschiedenis van de Provincie Utrecht: Van 1528 tot 1780 (Stichtse historische reeks), edited by C. Dekker and J. Aalbers, 363-398. Utrecht: Het Spectrum, 1997.
Varriano, John. Wine: A Cultural History. London: Reaktion Books, 2010.Froitzheim-Hegger, Eva-Marina. Sie lebten dahin sorglos in behaglicher Ruhe : Studien zum niederländischen und flämischen Gottermahl. New York: Georg Olms Verlag, 1993
Provenance
George Smith, London; (his sale, Christie’s, London, 10 April 1880, no. 63, as Brueghel and Van Balen, sold to Waters); private collection, Scandinavia, c. 1930; (sale, Sotheby’s, London, 11 April 1990, no. 19); (Swedish art market); [Newhouse Galleries, New York, 1991, sold to the Clark]; Sterling and Francine Clark Art Institute, 1991.