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Tree in a Meadow

Lionel Bicknell Constable

English, 1828–1887

Tree in a Meadow

c. 1850

Medium oil on wood-pulp board, mounted on canvas
Dimensions Board size: 9 9/16 x 11 15/16 in. (24.3 x 30.3 cm) Stretcher: 9 13/16 x 12 5/16 in. (25 x 31.3 cm)
Object Number 2007.8.63
Acquisition Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007
Status On View

Image Caption

Lionel Bicknell Constable, Tree in a Meadow, c. 1850, oil on wood-pulp board, mounted on canvas. Clark Art Institute, gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.8.63

Select Bibliography

Leggatt's. Pictures & Water-Colour Drawings by John Constable, R.A.. November 1899. London: Leggatt's. 1899. Fleming-Williams, Ian and Leslie Parris. The Discovery of Constable. London: Hamish Hamilton, Ltd., 1984. Parris, Leslie. Constable: A New York Private Collection. New York: Published Privately, 1994. Clarke, Jay, ed. Landscape, Innovation, and Nostalgia: The Manton Collection of British Art. Williamstown, MA: The Sterling and Francine Clark Art Institute, 2012. Lees, Sarah, ed. Nineteenth-Century European Paintings at the Sterling and Francine Clark Art Institute. Williamstown, MA: Sterling and Francine Clark Art Institute; New Haven and London: distributed by Yale University Press, 2012.

EUROPEAN PAINTINGS CATALOGUE ENTRY

Provenance

Hugh Golding Constable, the artist’s nephew, by descent; [Leggatt’s, London, 1899, possibly sold to Young and Agnew’s, 1899]; [Alexander Young and Agnew’s, London, sold to Wallis, 6 May 1909];¹ [Wallis & Son (The French Gallery), London, from 1909]; John Edward Taylor; Lt. Col. A. G. Penchen;² sale, Parke-Bernet, New York, 7 April 1966, no. 59, as Dedham Water Meadows, by John Constable, sold to Manton; Sir Edwin A. G. Manton, New York (1966–d. 2005); Manton Family Art Foundation (2005–7, given to the Clark, as Meadow Scene “Dedham Water Meadows”); Sterling and Francine Clark Art Institute, 2007. 1. Young and Agnew’s owned the work in half shares. 2. The ownership of the work by Taylor and Penchen is mentioned in Parke-Bernet 1966, no. 59.

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