July 4–October 14, 2019
2019 Biennale: Further Reading
Egill Sæbjörnsson (Icelandic; b. Reykjavik, 1973), perfume bottle from Out of Controll in Venice, Icelandic Pavilion of the 57th Venice Biennale, 2017. 4 1/2 x 2 5/8 × 1 1/2 in. Clark Art Institute Library, Venice Biennale Ephemera Collection
Media interest in this year’s Biennale has dominated the art world this summer and has provided rich visual content for social media platforms. Explore some of the recent coverage through the links below:
The Key to Designing the Best Venice Biennale Identity is (Literally) Hanging on Your Shoulder - Eye on Design
Egyptian Artists Claim Government Interference in Venice Pavilion - Observer
Their Beach Opera Won at the Biennale. But They Can Hardly Afford It. - The New York Times
The hidden cost of being at the Venice Biennale - The National
How Does Venice Work?
At Venice Biennale, the Art’s for Sale, if You Know the Right People - The New York Times
How to Visit the 2019 Venice Biennale Without Being Overwhelmed - Condé Nast Traveler
The Don’t-Miss Shows and Pavilions at the Venice Biennale - The New York Times
Venice Biennale 2019: All the Art That's Making Italy Even More Instagrammable | W Magazine
The Gray Market: Why Many Working Artists Are Much Closer to a Venice Biennale Pavilion Than They Realize (and Other Insights) - artnet News
Mawkish monuments and the beach from hell: our verdict on the Venice Biennale | Art and design - The Guardian
Venice Biennale 2019 review – preaching to the converted - Art and design - The Guardian
In Ralph Rugoff's Venice Biennale, the World's Artists Take Planetary Doom as a Given, But Search for Joy Nonetheless
Borrow, Barter, Crowdsource: How Small Countries Bootstrap Their Way to the Venice Biennale - artnet News
ARTnews’s Complete Coverage of the 2019 Venice Biennale - ARTnews
Venice Biennale 2019: the must-see pavilions in the Giardini - The Art Newspaper
Venice Biennale: Philip Kennicott on the art world's biggest gathering - The Washington Post
The difficult business of archiving a Biennale
Sinking city: how Venice is managing Europe's worst tourism crisis - The Guardian
Why is the Venice Biennale still so important? - The Art Newspaper