JOSEPH MALLORD WILLIAM TURNER

ENGLISH, 1775–1851

BEN ARTHUR, SCOTLAND

Plate 69 from Liber Studiorum, part XIV
1819
Etching and mezzotint on paper
Clark Art Institute, 2013.9.8

WILLIAM BRADFORD

AMERICAN, 1823–1892

BETWEEN THE ICEBERG AND FIELD ICE

From The Arctic Regions
1869
Albumen print
Williams College Museum of Art
Museum purchase, Joseph O. Eaton Fund (77.27)

EADWEARD MUYBRIDGE

AMERICAN, 1830–1904

CLOUD’S REST, VALLEY OF THE YOSEMITE (NO. 40)

1872
Albumen print
Acquired with funds donated by Herbert Allen
Clark Art Institute, 2000.8.5

JOHN PARKER DAVIS

AMERICAN, 1832–1910

AFTER WINSLOW HOMER

AMERICAN, 1836–1910

LOOKING AT THE ECLIPSE

December 16, 1865
Published in Frank Leslie's Chimney Corner
Wood engraving on newsprint
Clark Art Institute, 1955.4449

WILHELM HECHT

GERMAN, 1843–1920

AFTER ARNOLD BÖCKLIN

SWISS-GERMAN, 1827–1901

TRITON AND NEREID (TRITON UND NEREÏD)

c. 1880
Etching on paper
Gift of anonymous donor
Clark Art Institute, 1980.62

FÉLIX THIOLLIER

FRENCH, 1842–1914

SLEDS IN THE SNOW, HAUTE-LOIRE

c. 1900–14
Gelatin silver print
Clark Art Institute, 2007.15.3

JOHN MARTIN

ENGLISH, 1789–1854

THE FALL OF THE REBEL ANGELS

Paradise Lost, Book 1, Line 44
1825
Mezzotint on paper
Clark Art Institute, 1987.58

CURRIER & IVES 

AMERICAN, 1834–1907

AFTER ARTIST UNKNOWN

AMERICAN, 19TH CENTURY

THE GREAT FIRE AT BOSTON, NOV. 9 & 10, 1872

1872
Hand-colored lithograph on paper
Gift of J. Thomas Wilson
Clark Art Institute, 1981.23

ÉTIENNE LÉOPOLD TROUVELOT

FRENCH, 1827–1895

THE NOVEMBER METEORS

Plate XII from The Trouvelot Astronomical Drawings Manual
1882
Color lithograph on paper
Chapin Library, Williams College

CHARLES MARIE DULAC

THE WIND

Plate 4 from the portfolio Suite of Landscapes
1892–93
Color lithograph on paper
Clark Art Institute, 2014.1