Guillaume Lethière

Sainte-Anne, Guadeloupe 1760–1832 Paris

Death of Camilla, 1785

Oil on canvas, 46 1⁄8 × 58 1⁄2 in. (117.2 × 148.4 cm)
Rhode Island School of Design, Providence, Mary B. Jackson Fund, 72.144

Guillaume Lethière

Sainte-Anne, Guadeloupe 1760–1832 Paris

Brutus Condemning His Sons to Death, 1788

Oil on canvas, 23 3⁄8 × 39 in. (59.4 × 99.1 cm)
The Clark, 2018.1.1

 

Guillaume Lethière

Sainte-Anne, Guadeloupe 1760–1832 Paris

Frieze Representing the Neuf Thermidor (July 27, 1794), 1795

Pen and black and brown ink, brush and black and brown wash, graphite, 15 3⁄4 × 35 1⁄4 in. (40 × 89.5 cm)
MAH Musée d’art et d’histoire, Geneva. Deposit of the Société des Arts de Genève, 1981, let. 001. 
Photo: Bettina Jacot-Descombes

Guillaume Lethière

Sainte-Anne, Guadeloupe 1760–1832 Paris

Erminia and the Shepherds, 1795

Oil on canvas, 32 × 39 1⁄2 in. (81.3 × 100.3 cm)
Dallas Museum of Art, Foundation for the Arts Collection, Mrs. John B. O’Hara Fund, 2013.1.FA. 
Photo: Courtesy Dallas Museum of Art

Guillaume Lethière

Sainte-Anne, Guadeloupe 1760–1832 Paris

The Homeland Is in Danger, c. 1799

Oil on canvas, 23 1⁄4 × 39 3⁄8 in. (59 × 100 cm)
Musée de la Révolution française, Domaine de Vizille–Département de l’Isère, France, acquired with support from the French state and the Rhône-Alpes region, MRF 1985-14. 
Photo: Coll. Musée de la Révolution française – Département de l’Isère

Guillaume Lethière

Sainte-Anne, Guadeloupe 1760–1832 Paris

Woman Leaning on a Portfolio, c. 1799

Oil on canvas, 25 × 22 1⁄4 in. (63.5 × 56.4 cm)
Worcester Art Museum, Massachusetts, museum purchase, 1954.21. 
Photo: Worcester Art Museum / Bridgeman Images

Manufacture des Gobelins, after Guillaume Lethière

Sainte-Anne, Guadeloupe 1760–1832 Paris
woven by Harland, Sollier l’aîné, Marie l’aîné, Abel-Nicolas Sollier, Renaud, Harland fils, Alexandre Duruy, Lemoine, Flament

Preliminaries of Peace Signed at Leoben, April 17, 1797, weaving commenced in November 1810, interrupted at the end of 1812, resumed in 1813, and suspended in April 1814

Wool and silk, 10 warps per cm, 130 × 763⁄4 in. (330 × 195 cm).
Mobilier national, Paris, GMTT-251-000. 
Photo: Isabelle Bideau, Mobilier national

Guillaume Lethière

Sainte-Anne, Guadeloupe 1760–1832 Paris

Joséphine, Empress of the French, 1807

Oil on canvas, 88 1⁄2 × 58 3⁄4 in. (225 × 149 cm)
Musée national des châteaux de Versailles et de Trianon, France, MV 4700. 
Photo: RMN-Grand Palais / Art Resource, NY

Guillaume Lethière

Sainte-Anne, Guadeloupe 1760–1832 Paris

Judgment of Paris, 1812

Oil on canvas, 78 × 110 in. (198 × 279.4 cm)
Private collection

Guillaume Lethière

Sainte-Anne, Guadeloupe 1760–1832 Paris

Ramparts

Pen and black and brown ink, brush and brown and gray wash, graphite, 6 3⁄4 × 9 5⁄8 in. (17.1 × 24.4 cm)
In Landscape Album, early nineteenth-century drawings Album assembled c. 1828–30 by Mélanie d’Hervilly (Brussels 1800–1878 Paris)
The Clark, 2019.2.1

Guillaume Lethière

Sainte-Anne, Guadeloupe 1760–1832 Paris

Lafayette Introducing Louis-Philippe to the People of Paris, 1830–31

Oil on canvas
Tokyo Fuji Art Museum, 1132-AB053.
Photo: Tokyo Fuji Art Museum / Bridgeman Images

Guillaume Lethière

Sainte-Anne, Guadeloupe 1760–1832 Paris

Oath of the Ancestors, c. 1822

Oil on canvas, 131 1⁄2 × 89 3⁄4 in. (334 × 228 cm)
Musée du Panthéon National Haïtien, Port-au-Prince
Photo: RMN-Grand Palais / Art Resource, NY