Checklist

Valentine Green
English, 1739–1813
After Joseph Wright of Derby
English, 1734–1797
Experiment with an Air Pump
1769
Mezzotint on laid paper
19 3/8 x 23 7/16 in.
Hood Museum of Art, Dartmouth College: Purchased through gifts from the Lathrop fellows, 2008.10

Joseph Priestley
Plate 1, Experiments and observations on different kinds of air and other branches of natural philosophy, connected with the subject. . . .Vol. 1
Birmingham: printed by Thomas Pearson; and sold by J. Johnson, 1790
Chapin Library of Rare Books, Williams College
1794 253

Pierre Henri de Valenciennes
French, 1750–1819
Élemens de perspective pratique (Elements of practical perspective)
1800
Clark Art Institute, Library, ND553 v227.8

Jean Jacques de Boissieu
French, 1736–1810
Soap Bubbles
1799
Etching, drypoint, burin, and roulette on laid paper
17 x 13 1/4 in.
Acquired by the Clark Art Institute, 1994
1994.6

Philibert-Louis Debucourt
French, 1755–1832
Vent devant
1812
Color aquatint on wove paper
12 1/2 x 9 3/16 in.
Acquired by Sterling and Francine Clark before 1955
1955.2367

Philibert-Louis Debucourt
French, 1755–1832
After Mendoze
Active in France, 19th century
Vent derrière
1812
Color aquatint on wove paper
12 1/2 x 9 1/4 in.
Acquired by Sterling and Francine Clark before 1955
1955.2368

Auguste-Xavier Leprince
French, 1799–1826
Woman Reading, Boy with Pitchfork
c. 1816–26
Watercolor on paper
6 x 5 3/16 in.
Acquired by Sterling and Francine Clark before 1955
1955.1540e

Auguste-Xavier Leprince
French, 1799–1826
Woman Sketching
c. 1816–26
Watercolor on paper
3 3/4 x 3 9/16 in.
Acquired by Sterling and Francine Clark before 1955
1955.1540f

Auguste-Xavier Leprince
French, 1799–1826
Man and Woman Sketching
c. 1816–26
Watercolor on paper
Acquired by Sterling and Francine Clark before 1955
1955.1539e

Thomas Girtin
English, 1775–1802
Joseph Mallord William Turner
English, 1775–1851
View in Westmorland, near Ireton
c. 1796
Watercolor over graphite on cream wove paper
6 1/4 x 9 in.
Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007
2007.8.122

John Constable
English, 1776–1837
Osmington Bay
1816
Oil on canvas
9 3/16 x 12 1/16 in.
Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007
2007.8.31

John Constable
English, 1776–1837
High Clouds
c. 1821–22
Watercolor with graphite on white wove paper
3 9/16 x 6 7/16 in.
Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007
2007.8.55

Joseph Mallord William Turner
English, 1775–1851
Sky and Sea
c. 1826–29
Watercolor and graphite on white wove paper
8 13/16 x 12 5/16 in.
Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007
2007.8.109

Joseph Mallord William Turner
English, 1775–1851
Entrance to Fowey Harbour, Cornwall
c. 1827
Watercolor and gouache, with scraping, on cream wove paper
11 1/4 x 15 1/2 in.
Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007
2007.8.110

David Lucas
English, 1802–1881
After John Constable
English, 1776–1837
Old Sarum
1833
Image: 5 3/8 x 7 1/4 in.
Mounting sheet: 9 1/8 x 30 5/8 in.
Mezzotint, trimmed to image and laid within false platemark, on cream wove paper
Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007
2007.20.9

David Lucas
English, 1802–1881
After John Constable
English, 1776–1837
A Heath
1831
Mezzotint, trimmed to image and laid within false platemark, on cream wove paper
Image: 5 3/16 x 7 3/8 in.
Mounting sheet: 9 1/8 x 30 5/8 in.
Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007
2007.20.7

David Lucas
English, 1802–1881
After John Constable
English, 1776–1837
East Bergholt, Suffolk
June 1832
Mezzotint, trimmed to image and laid within false platemark, on cream wove paper
Image: 5 13/16 x 8 3/4 in.
Mounting sheet: 9 1/8 x 30 5/8 in.
Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007
2007.20.8

John Martin
English, 1789–1854
Satan Viewing the Ascent to Heaven, Paradise Lost, Book 3, Line 501
1825
Mezzotint on laid paper
14 5/8 x 10 3/8 in.
Acquired by the Clark Art Institute, 1987
1987.62

John Martin
English, 1789–1854
The Creation of Light, Paradise Lost, Book 7, Line 339
1824
Mezzotint on laid paper
10 9/16 x 14 1/2 in.
Acquired by Clark Art Institute, 1987
1987.64

Auguste Delâtre
French, 1822–1907
Twelve Etchings and Drypoints, VIII: Night Scene on Marshy Landscape
1877
Etching and drypoint on paper
11 3/16 x 15 11/16 in.
Acquired by Clark Art Institute, 1982
1982.9H

Sèvres Porcelain Manufactory
Gilded by Jean Chauvaux The Younger
French, active 1764–1800
Small Cup and Saucer
c. 1783–85
Hard-paste porcelain
Cup: 2 x 1 3/4 in.; Saucer: 4 5/16 x 7/8 in.
Acquired by Sterling and Francine Clark before 1955
1955.1139a-b

Wilfrid de Fonvielle
French, 1824–1914
Falling Stars as Observed from the Balloon from Travels in the Air
Travels in the Air
1871
Chapin Library of Rare Books, Williams College

Richard A. Proctor
English, 1838–1888
Lewis Morris Rutherfurd
American, 1816–1892
The Moon: Her motions, aspect, scenery, and physical condition. . . . (NY, D. Appleton, 1878)
Clark Art Institute, Library, NE2606 P76

Honoré Daumier
French, 1808–1879
Nadar Elevating Photography to the Level of Art
1862
Lithograph
17 1/2 x 12 3/16 in.
Acquired by the Clark, 2007
2007.7.2

Charles Meryon
French, 1821–1868
Le Pont-au-Change, Paris
1852
Graphite on tracing paper
6 3/16 x 13 1/8 in.
Acquired by Sterling and Francine Clark before 1955
1955.1856

Charles Meryon
French, 1821–1868
Le Pont au Change, Paris
1854
Etching on paper
6 1/8 x 13 1/8 in.
Acquired by the Clark Art Institute, 1988
1968.3

Auguste Louis Lepère
French, 1849–1918
Palace of Liberal Arts (Interior)
1889
Woodcut on paper
13 7/16 x 9 9/16 in.
Acquired by Sterling and Francine Clark before 1955
1955.2427

George Rowe
British, 1797–1864
The Malvern Hills from the Summit of the Worcestershire Beacon
c. 1832–52
Color lithograph on wove paper
12 11/16 x 17 1/8 in.
Acquired by the Clark, 1976
1976.40

Charles Meryon
French, 1821–1868
La Galerie de Notre Dame, Paris
1853
Etching on paper
10 3/4 x 6 1/4 in.
Acquired by the Clark Art Institute, 1962
Clark Art Institute, 1962.146

Charles Meryon
French, 1821–1868
Collège Henri IV
1863–64
Etching on laid paper
18 7/8 x 24 1/4 in.
Acquired by the Clark Art Institute, 1988
1988.241

Maxime Lalanne
French, 1827–1886
View of Paris from the Louvre
1882
Etching on laid paper
10 x 14 3/16 in.
William J. Collins Collection, 1982
1982.120

Maxime Lalanne
French, 1827–1886
View Taken from the Pont-du-Jour Viaduct, from the series Artistic Souvenirs from the Siege of Paris
1871
Etching on laid paper
12 1/4 x 19 in.
Acquired by the Clark Art Institute, 1977
1977.81D

Auguste Louis Lepère
French, 1849–1918
Paris sous la neige, vu du haut de St. Gervais (Paris in Snow, Seen from atop St. Gervais)
1890
Woodcut on paper
17 15/16 x 23 1/2 in.
Acquired by Sterling and Francine Clark before 1955
1955.2452

Charles Graham
American, 1852–1911
On Coney Island—View from the Observatory, Looking East
1883
Wood engraving on paper
15 13/16 x 10 7/8 in.
Acquired by Sterling and Francine Clark before 1955
1955.4255

After Winslow Homer
American, 1836–1910
The Battle of Bunker Hill—Watching the Fight from Copp’s Hill, in Boston
26 June 1875
Wood engraving on newsprint
11 1/4 x 16 in.
Acquired by Sterling and Francine Clark before 1955
1955.4067

Theodore Russell Davis
American, 1840–1894
Washington City, D. C.
1869
Wood engraving on paper
17 5/16 x 21 15/16 in.
Acquired by Sterling and Francine Clark before 1955
1955.4362

Theodore Russell Davis
American, 1840–1894
Charles Parsons
American, 1821–1910
West Point and Vicinity—from Fort Putnam
1869
Wood engraving on paper
15 15/16 x 22 1/8 in.
Acquired by Sterling and Francine Clark before 1955
1955.4361

Charles Meryon
French, 1821–1868
Seine Fishing off Collier’s Point, Akaroa, Banks Peninsula
1863
Etching and drypoint
6 1/16 x 17 3/16 in.
Gift of Edwin and Lola Jaffe, 2005
2005.7

Unknown artist
British, active first half of 19th century
Iron Works
c. 1815–30
Transparent and opaque watercolor over graphite, with gum arabic, on beige wove paper, mounted on cream paperboard
13 11/16 x 9 7/8 in.
Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007
2007.20.41

James McNeill Whistler
American, 1834–1903, active in England and France
Nocturne: The River at Battersea
1878
Lithotint, on a prepared half-tint ground, in black with scraping, on blue laid chine collé, mounted on ivory wove paper
11 1/8 x 15 7/16 in.
Gift of Mary and Robert Carswell, 2018
2018.9.14

James McNeill Whistler
American, 1834–1903, active in England and France
Nocturne: Furnace
c. 1886
Etching on paper
6 5/8 x 9 in.
Acquired by the Clark Art Institute, 1968
1968.9

Jean-François Raffaëlli
French, 1850–1924
La Bièvre
1880
Etching and drypoint on laid paper
6 3/4 x 8 11/16 in.
Acquired by the Clark Art Institute, 1993
1993.12

Jean-François Raffaëlli
French, 1850–1924
The Rag-Picker
After 1911
Hand-colored etching, drypoint, and aquatint on wove paper
11 1/8 x 7 9/16 in.
Acquired by the Clark Art Institute, 1984
1984.9

Félix Thiollier
French, 1842–1914
The Painter Émile Noirot Working at Saint-Étienne
c. 1900–14
Gelatin silver print
10 13/16 x 14 3/4 in.
Acquired by the Clark Art Institute, 2007
2007.15.1

Félix Thiollier
French, 1842–1914
Fisherman and Factory on the Seine in Normandy
c. 1910
Gelatin silver print
10 3/8 x 14 3/4 in.
Lent by Troob Family Foundation
TR2008.15

Beverly Bennett Dobbs
American, 1868–1937
Ship in Ice Floe
1903–6
Gelatin silver print
7 1/2 x 9 5/8 in.
Acquired with funds donated by Herbert Allen, 2000
2000.8.4.2