Checklist

Nicolaes Berchem
Dutch, 1620–1683
The Cows at the Watering Place (The Cow Drinking)
1680
Etching on paper
10 15/16 × 14 3/4 in.
Clark Art Institute, gift of Brent R. Benjamin, Clark Fellow, 1986, 2023.15

Nicolaes Berchem
Dutch, 1620–1683
Shepherd Seated on a Fountain and the Spinner
1652
Etching on paper
10 9/16 × 8 1/4 in.
Williams College Museum of Art, bequest of John H. Maghee, 37.2.29

Claude Lorrain
French, 1604 or 1605–1682
Pastoral Landscape with Trees
c. 1640
Black chalk and brown wash, with pen and brown ink framing lines, on cream laid paper
8 11/16 x 12 5/8 in.
Clark Art Institute, 2007.5.4

Pietro Testa
Italian, (1611 or 1612–1650)
The Prodigal Son: Caring for the Pigs
1644–50
Etching on laid paper
8 1/8 x 11 7/8 in.
Clark Art Institute, 1987.10

Christoffel Jegher
Flemish, 1596–1652 or 1653
After Peter Paul Rubens
Flemish, 1577–1640
Rest on the Flight into Egypt
After 1632
Chiaroscuro woodcut with white gouache
18 × 20 3/4 in.
Clark Art Institute, gift of James A. Bergquist, Boston, in loving memory of Julius S. Held, 2018.5.1

Jean Baptiste Pillement
French, 1728–1808
The Rising Sun
1759 or before
Black, red, and blue chalks on paper
13 9/16 x 17 5/16 in.
Clark Art Institute, 1974.7

Agostino Carracci
Italian, 1557–1602
Omnia vincit Amor
1599
Engraving on paper
5 × 7 3/8 in.
Clark Art Institute, gift of Mary Carswell, 2017.11.1

Claude Lorrain
French, 1604 or 1605–1682
Landscape with the Voyage of Jacob
1677
Oil on canvas
28 1/16 x 37 7/16 in.
Clark Art Institute, 1955.42

Claude Lorrain
French, 1604 or 1605–1682
A View of Sant' Agnese Fuori le Mura
1650–55
Pen and brown ink with black chalk and brown wash on beige laid paper
5 13/16 x 8 1/8 in.
Clark Art Institute, 2007.5.13

Claude Lorrain
French, 1604 or 1605–1682
Landscape with the Rest on the Flight into Egypt
c. 1660
Black chalk, pen and brown ink, brown and gray wash, with white heightening on beige laid paper
4 13/16 x 6 7/16 in.
Clark Art Institute, 2007.5.16

Claude Lorrain
French, 1604 or 1605–1682
A View of the Caffarella near Rome
1667
Black chalk, pen and brown ink, and gray and brown wash, with pen and brown ink framing lines on cream laid paper
7 11/16 x 10 5/16 in.
Clark Art Institute, 2007.5.8

Claude Lorrain
French, 1604 or 1605–1682
The Cascades of Tivoli
c. 1640
Black chalk, brown and gray wash, with black chalk framing lines on cream laid paper
8 11/16 x 12 5/8 in.
Clark Art Institute, 2007.5.6

Thomas Gainsborough
English, 1727–1788
Wooded Landscape with Rocks Overhanging a Pool
Mid-1780s
Black chalk and lead white with stumping on beige laid paper, fixed with skim milk
10 7/16 x 12 7/8 in.
Clark Art Institute, gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.8.74

Thomas Gainsborough
English, 1727–1788
Rocky Wooded Landscape with Winding Track
Late 1770s
Pen and black ink with brush and gray wash and white chalk on blue laid paper
10 1/2 x 13 9/16 in.
Clark Art Institute, gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.8.71

Thomas Gainsborough
English, 1727–1788
Extensive Wooded Landscape with a Bridge over a Gorge, Distant Village and Hills
c. 1786
Black and white chalks with stumping on beige laid paper, fixed with skim milk and/or gum
10 3/16 x 13 11/16 in.
Clark Art Institute, gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.8.75

Thomas Gainsborough
English, 1727–1788
Wooded Landscape with Herdsman and Cow
Early 1780s
Brush and black and gray wash with black and white chalks on cream laid paper, fixed with skim milk and/or gum
10 1/2 x 14 in.
Clark Art Institute, gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.8.80

Thomas Gainsborough
English, 1727–1788
Wooded Landscape with Figures and Winding Track Leading to a Cottage
Mid- to late 1780s
Watercolor and gouache with lead white on beige laid paper, fixed with gum and skim milk, varnished with mastic
8 11/16 x 14 9/16 in.
Clark Art Institute, gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.8.78

Thomas Gainsborough
English, 1727–1788
Wooded Landscape with Shepherd and Sheep, Winding River and Tower
Mid- to late 1770s
Black and white chalks on brown laid paper
7 3/16 x 8 9/16 in.
Clark Art Institute, gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.8.70

Thomas Gainsborough
English, 1727–1788
Wooded Landscape with a Cottage and Cows
Mid-1770s
8 7/16 x 11 9/16 in.
Black chalk, watercolor, and gouache on paper
Clark Art Institute, gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.8.68

Karel Dujardin
Dutch, 1626–1678
The Ruins of a Temple, in the Foreground Two Men and a Dog
1658
Etching on paper
4 15/16 × 6 1/4 in.
Harvard Art Museums/Fogg Museum, anonymous loan in honor of Jakob Rosenberg, 20.1996

Claude Lorrain
French, 1604 or 1605–1682
A Wooded Landscape with a Classical Temple
c. 1645
Black chalk and brown wash, with pen and brown ink framing lines on cream laid paper
7 13/16 x 11 1/8 in.
Clark Art Institute, 2007.5.7

Jean Jacques de Boissieu
French, 1736–1810
The Entrance to a Forest with a Cottage on the Right
1772
Etching and drypoint on laid paper
9 5/8 x 14 11/16 in.
Clark Art Institute, acquired with funds donated by Jeffrey Shedd, 1993.3

Bartholomeus Breenbergh
Dutch, 1598–1657
Ruins in a Landscape
c. 1620s
Brown ink and brown and gray wash on off-white antique laid paper
10 1/4 × 15 1/4 in.
The Maida and George Abrams Collection, Harvard Art Museums/Fogg Museum, Cambridge, gift of George Abrams in memory of Dr. Anthony S. Patton, Harvard College '54, Harvard Medical School '58, 2023.629

Claude Lorrain
French, 1604 or 1605–1682
A Ruin on the Palatine Hill
1630–35
Black chalk, brush and brown ink with gray wash on beige laid paper
7 7/8 x 10 1/2 in.
Clark Art Institute, 2007.5.10

Claude Lorrain
French, 1604 or 1605–1682
A Sunlit Landscape with Trees
c. 1640
Black chalk, brown and gray wash, pen and brown ink on blue paper
8 3/4 x 12 5/8 in.
Clark Art Institute, 2007.5.2

Virgil
Roman, 70 BCE–19 BCE
Publij Virgilij maro[n]is opera (Strasbourg: Johann Grüninger, 1502)
Edited by Sebastian Brant (German, 1457/58–1521)
4 3/4 × 18 1/4 × 13 in.
Mortimer Rare Book Collection at Smith College Libraries, 875 V9 1502

Torquato Tasso
Italian, 1544–1595
Jerusalem Delivered or La Gierusalemme liberata (Genoa: Appresso Girolamo Bartoli, 1590)
With engravings by Agostino Carracci and Giacomo Franco after drawings by Bernardo Castello
3 1/2 × 14 1/4 × 9 1/4 in.
Mortimer Rare Book Collection at Smith College Libraries, 855 T18 1590

Thomas Gainsborough
English, 1727–1788
Landscape with Herdsman Driving Cows and Distant Buildings
Mid- to late 1780s
Black chalk over brush and gray wash with lead white on beige laid paper, fixed with gum
9 11/16 x 12 3/4 in.
Clark Art Institute, gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.8.77

Claude Lorrain
French, 1604 or 1605–1682
A Study of Cattle
1640–50
Red and black chalk, brown and red wash, with red chalk framing lines on cream laid paper
6 11/16 x 9 1/4 in.
Clark Art Institute, 2007.5.15

Karel Dujardin
Dutch, 1626–1678
Landscape, with Two Muleteers
1659
Etching on cream antique laid paper
5 9/16 × 7 in.
Harvard Art Museums/Fogg Museum, gift of Belinda L. Randall from the collection of John Witt Randall, R1135

Stefano Della Bella
Italian, 1610–1664
Four Large Vertical Landscapes Pl. 2
c. 1652–57
Etching on laid paper
9 13/16 x 7 5/16 in.
Clark Art Institute, 1983.57

Claude Lorrain
French, 1604 or 1605–1682
The Four Goats
1630–33
Etching and drypoint on laid paper
7 11/16 x 5 1/8 in.
Clark Art Institute, gift of Leo Steinberg, 1992.23

Claude Lorrain
French, 1604 or 1605–1682
Shepherds Crossing a Stream
1634
Etching on paper
4 1/8 x 6 11/16 in.
Clark Art Institute, acquired with funds donated by Jeffrey Shedd, 1974.2

Claude Lorrain
French, 1604 or 1605–1682
Dance under the Trees
1651
Etching on paper
5 3/16 x 7 1/2 in.
Clark Art Institute, gift of Philip Hofer, 1959.1

Thomas Gainsborough
English, 1727–1788
Landscape with Figures, Herdsman and Cattle at a Pool, and Distant Church
Mid- to late 1780s
Watercolor and gouache with lead white on beige laid paper, fixed with gum, varnished with mastic
8 11/16 x 12 1/16 in.
Clark Art Institute, gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.8.76

Thomas Gainsborough
English, 1727–1788
Herdsman and Cattle
1770–80
Brown chalk, watercolor, with touches of oil paint on buff paper, varnished
8 7/8 x 12 3/16 in.
Clark Art Institute, 1955.1971

Louis Gabriel Moreau
French, c. 1740–c. 1806
A Farmyard
c. 1780
Gouache on paper
10 15/16 x 9 3/8 in.
Clark Art Institute, 1955.1885

Carl Wilhelm Kolbe the elder
German, 1759–1835
Large Oak Tree Jutting out to the Left
c. 1808–15
Etching on wove paper
14 5/16 × 17 11/16 in.
Clark Art Institute, 2021.6