JUNE 24–SEPTEMBER 16, 2007
audio highlights
Caricature of Jules Didier, "Butterfly Man", c. 1858, Charcoal heightened with white chalk on blue laid paper (discolored to gray), The Art Institute of Chicago. Mr. and Mrs. Carter H. Harrison Collection
Cliff at Sainte-Adresse, October 1, 1857, Pencil and white chalk on gray paper, The World Children's Art Museum, Okazaki, Japan
Houses by the Sea, c. 1864, Black chalk on off-white laid paper, The Museum of Modern Art, New York. Gift of Mr. and Mrs. Marion Joseph Lebworth
Boats on the Beach in Etretat [recto], c. 1864, Black chalk on off-white laid paper, Private collection, courtesy of Elrick-Manley Fine Art, Inc., New York
Boats on the Beach in Etretat [verso], c. 1864, Black chalk on off-white laid paper, Private collection, courtesy of Elrick-Manley Fine Art, Inc., New York
Bazille and Camille (Study for "The Luncheon on the Grass"), c. 1865, Oil on canvas, National Gallery of Art, Washington, D.C. Ailsa Mellon Bruce Collection
View of the Sea at Sunset, c. 1862-64, Pastel, Museum of Fine Arts, Boston. Bequest of William P. Blake in memory of his sister, Anne Dehon Blake
Towing a Boat, Honfleur, 1864, Oil on canvas, Memorial Art Gallery of the University of Rochester. Gift of Marie C. and Joseph C. Wilson
The Seine Estuary, c. 1864-70, Pastel on paper laid down on canvas, Private collection
Etretat, the Needle Rock and Porte d'Aval, c. 1885, Pastel on tan paper, Private collection
View of Rouen, 1883, Black crayon and scratchwork on, Gillot paper, Sterling and Francine Clark Art Institute, Williamstown, Massachusetts
View of Rouen, 1872, Oil on canvas, Private collection, courtesy of Pyms Gallery, London
Charing Cross Bridge, c. 1901, Pastel, Triton Foundation, The Netherlands
Waterloo Bridge, c. 1901, Pastel, Triton Foundation, The Netherlands
Young Women in a Rowboat / Reflections of Trees /Water Lilies, c. 1887-1919, Sketchbook 6, folios 9 verso and 10 recto, Waxed crayon over pencil, Musee Marmottan Monet, Paris
The Unknown Monet: Pastels and Drawings was organized by the Sterling and Francine Clark Art Institute in association with the
Royal Academy of Arts, London.
Lead sponsorship is provided by
Additional support has been provided by Faber-Castell, by an indemnity from the Federal Council on the Arts and Humanities, and by a grant from the National Endowment for the Arts.