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Virgin Adoring the Child

Bartolomeo Montagna

Italian, c. 1450–1523

Virgin Adoring the Child

c. 1500

The infant Jesus sits on a corner of the Virgin Mary’s cloak, looking out at us solemnly and resting one hand on a book. His mother joins her hands in devotion, the thoughtful expression on her face suggesting knowledge of her son’s fate. The sacred status of the figures is indicated by the cloth of honor separating them from the background. Behind them is a rocky landscape, inspired perhaps by the mountains of northern Italy where the artist lived and worked.

Medium tempera and oil on panel
Dimensions 30 1/2 x 24 5/8 in. (77.5 x 62.5 cm)
Object Number 1955.944
Acquisition Acquired by Sterling and Francine Clark before 1955
Status On View

Image Caption

Bartolomeo Montagna, Virgin Adoring the Child, c. 1500, tempera and oil on panel. Clark Art Institute, 1955.944

Select Bibliography

New Gallery. Exhibition of Venetian Art. Exhibition catalogue. London: New Gallery, 1894. Sterling and Francine Clark Art Institute. Exhibit Eight: 15th and 16th Century Paintings. Exhibition catalogue. Williamstown, MA: Sterling and Francine Clark Art Institute, 1957. Sterling and Francine Clark Art Institute. Exhibit Fifteen: Italian Paintings and Drawings. Exhibition catalogue. Williamstown, MA: Sterling and Francine Clark Art Institute, 1961. Berenson, Bernard. The Study and Criticism of Italian Art. London: George Bell and Sons, 1901. The Arundel Club. Third Year's Publications. London: The Arundel Club, 1906. Berenson, Bernard. The Venetian Painters of the Renaissance. London 1909. Crowe, J. A. and G. B. Cavalcaselle. A History of Painting in North Italy from the Fourteenth to the Sixteenth Centuries. 5 volumes. Edited by Tancred Borenius. London: John Murray, 1912. Venturi, Adolfo. Storia dell'Arte Italiana. Milan: Ulrico Hoepli, 1913. Reinach, Salomon. Répertoire de peintures du moyen âge et de la reinaissance (12801580). Volume IV. Paris: E. Leroux, 1918. Borenius, Tancred. The Painters of Vicenza, 14801550. London: Chatto & Windus, 1909. Berenson, Bernard. Italian Pictures of the Renaissance: a List of the Principal Artists and Their Works with an Index of PlacesVenetian School. London: Phaidon Press, 1957. C., R. F. "Dipinti e disegni Italiani." Emporium 134 (September 1961). Sterling and Francine Clark Art Institute. List of Paintings in the Sterling and Francine Clark Art Institute. Williamstown, MA: Sterling and Francine Clark Art Institute, 1970. Sterling and Francine Clark Art Institute. List of Paintings in the Sterling & Francine Clark Art Institute. Williamstown, MA: Sterling and Francine Clark Art Institute, 1972. Levenson, Jay A., Konrad Oberhuber, & Jacquelyn L. Sheehan. Early Italian Engravings from the National Gallery. Exhibition catalogue. Washington: National Gallery of Art, 1973. Sterling and Francine Clark Art Institute. List of Paintings in the Sterling and Francine Clark Art Institute. Williamstown, MA: Sterling and Francine Clark Art Institute, 1984. Zucker, Mark J., ed. Early Italian Masters. The Illustrated Bartsch, 25, Commentary. New York: Abaris Books, 1984. Kern, Steven, ed. List of Paintings in the Sterling and Francine Clark Art Institute. Williamstown, MA: Sterling and Francine Clark Art Institute, 1992. Regensburg (Germany): Museum der Stadt Regensburg. Von Mantegna bis Motherwell: Graphik aus der Sammlung Dachs. (Exh.cat. by Eugen Trapp et al.). Dec. 7, 1993-Feb. 13, 1994.. Morello, Federica. Benedetto e Bartolomeo Montagna. Exhibition catalogue. Veggiano: Art Media, 2004.

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