October 8–december 31, 2006
calame
Alexandre Calame was the leading painter of Swiss landscapes in the nineteenth century. He enjoyed his first international success at the Paris Salon exhibition of 1839, but his style matured in the 1850s, when he began producing drawings and painted studies while hiking around Lake Lucerne. Calame's finished works often use elements from these studies, combined in a variety of different compositions. His paintings explore his belief in a divine presence in the rugged open spaces of his native country. But they are also celebrations of the archetypal Swiss landscape, painted with an eye toward the burgeoning tourist market. During his lifetime, distinguished patrons such as the king of France and members of the Russian imperial family collected his finished studio paintings. Today, his studies from nature are also popular; these freshly painted sketches demonstrate his skill as a painter of the natural world.
Alpine Views
Alexandre Calame and the Swiss Landscape
By Alberto de Andrés
This handsome book features an essay by noted Swiss art historian Alberto de Andrés discussing Calame's landscapes in the context of nineteenth-century trends in European art and culture, as well as thirty-eight color plates of works in the exhibition—many of which have never been published in color. It explores the work of Calame as well as that of François Diday, Barthélemy Menn, and Robert Zünd.
88 pages
9 1/2 x 10 inches
46 color illustrations
2006
$19.95
Published by the Sterling and Francine
Clark Art Institute, and distributed by
Yale University Press, New Haven and London