October 8–december 31, 2006
image gallery
Caspar Wolf
Swiss, 1735–1783
The Geltenbach Falls in the Lauenen Valley with an Ice Bridge
c. 1778
Oil on cardboard
In this study, graceful curves flow around the bridge of ice. Water from the melting snow has worn a picturesque path as it flows down the mountainside
Wolfgang-Adam Töpffer
Swiss, 1766–1847
Wooded Landscape with Stream, White Horse, and Young Man Resting
c. 1805
Oil on cardboard
Töpffer was particularly sensitive to the effects of light and atmosphere in his paintings. Wooded Landscape with Stream was painted in the artist's studio from sketches done in the open air, yet it retains the freshness of a study made directly from nature.
Wolfgang-Adam Töpffer
Swiss, 1766–1847
Study of Rocky Lakeside Landscape (possibly Lake Geneva)
1812
Oil on cardboard
This small study was painted outdoors, probably on the shore of Lake Geneva. Calame shared Töpffer's interest in rock formations and alpine vegetation.
Alexandre Calame
Swiss, 1810–1864
Mountain Torrent before a Storm (The River Aare, Haslital)
1850
Oil on canvas
Like many of Calame's finished paintings, Mountain Torrent before a Storm is a synthesis of many smaller studies from nature. The wind-blown fir trees, raging torrent, and storm clouds draw the viewer into a violent yet spectacularly beautiful world.
Alexandre Calame
Swiss, 1810–1864
Souvenir of Albis (Lake Zurich)
1853
Oil on canvas
Calame often painted scenes of Lake Zurich and Lake Lucerne. In this picture, the warm light of a setting sun over the shimmering lake creates an atmosphere of nostalgic contemplation and sentimental meditation.
Alexandre Calame
Swiss 1810–1864
At Handeck
c. 1860
Oil on canvas
The single tree that dominates the mountain landscape in At Handeck had a deep religious significance for Calame. He once commented that a fir tree "before being uprooted rules over vast solitude alone with God."
Alexandre Calame
Swiss, 1810–1864
The Mythen
c. 1861
Oil on canvas
The Mythen is one of the greatest of Calame's panoramic mountain views. The painting captures the brilliant evening sunlight as it illuminates the two peaks near Lake Lucerne and casts a shadow on the cottage in the foreground.
Alexandre Calame
Swiss, 1810–1864
The River Lütschine near Lauterbrunnen
c. 1862
Oil on canvas
Calame painted rock studies such as The River Lütschine near Lauterbrunnen in preparation for his large finished paintings. The artist's remarkable precision of observation is evident in his ability to capture the minute fissures in the rocks.
François Diday
Swiss, 1802–1877
The Gelmerhorn
1857
Oil on canvas
This large canvas depicting one of Switzerland's famous mountain views is typical of Diday's finished paintings. A beautiful sunset brightens the snow and reflects in the stream. Details include meticulously painted rocks and mountain peaks, as well as three goats strategically placed next to a group of fir trees to complete the mountain idyll.
François Diday
Swiss, 1802–1877
Forest of Finges
1857
Oil on canvas
Forest of Finges depicts a site in the Rhône Valley in Valais. Filled with golden, Italianate light, the painting is uncharacteristic for a Swiss landscape, since the mountains are so thoroughly hidden behind pines—-a variety from the southern lowlands that is different from the Nordic firs that grow at high altitudes and are often depicted in alpine paintings.
François Diday
Swiss, 1802–1877
Near Salève
1863
Oil on canvas
In this oil study, Diday has described water, vegetation, and rocks with an intensity unusual in such a small canvas. The painting expresses the power of landscape without focusing the viewer's attention on distracting details.
Rudolf Koller
Swiss, 1828–1905
On the Road from Weggis to Vitznau
1854
Oil on canvas
Barthélemy Menn
Swiss, 1815–1893
Bridge in Mountainous Roman Landscape
Oil on canvas
Robert Zünd
Swiss, 1827–1909
Storm Study
Oil on canvas
Johann Gottfried Steffan
Swiss, 1815–1905
Near Meiringen (The Wetterhorn)
1846
Oil on canvas
Traugott Schiess
Swiss, 1834–1869
The Matterhorn, Zermatt
1860–61
From Rheintal-Haslital-Wallis-Genfersee sketchbook no. IV
Watercolor on paper
Alpine Views
Alexandre Calame and the Swiss Landscape
By Alberto de Andrés
This handsome book features an essay by noted Swiss art historian Alberto de Andrés discussing Calame's landscapes in the context of nineteenth-century trends in European art and culture, as well as thirty-eight color plates of works in the exhibition—many of which have never been published in color. It explores the work of Calame as well as that of François Diday, Barthélemy Menn, and Robert Zünd.
88 pages
9 1/2 x 10 inches
46 color illustrations
2006
$19.95
Published by the Sterling and Francine
Clark Art Institute, and distributed by
Yale University Press, New Haven and London