CHECKLIST
Comte de Caylus (French, 1692–1765)
Nicolas Le Sueur (French, 1691–1764)
After Giovanni Maria Morandi (Italian, 1622–1717)
Annunciation
c. 1729
Etching over two chiaroscuro woodblocks printed in pale orange ink on laid paper
Clark Art Institute, 2021.2.5
Comte de Caylus (French, 1692–1765), etching
François Philippe Charpentier (French, 1734–1817), aquatint
After Giovanni Maria Morandi (Italian, 1622–1717)
Annunciation
c. 1729; reworked c. 1763
Etching and aquatint printed in brown ink on laid paper
Clark Art Institute, 2021.2.6
Workshop of Jacques-Fabien Gautier-Dagoty
French, 1710–1781
Wild Celery Root (Racine d’angélique)
1767
Color intaglio on laid paper
Clark Art Institute, 1985.3
Jean-Baptiste André Gautier-Dagoty
French, 1740–1786
Jeanne Bécu, Comtesse du Barry, and her servant Zamor
1771
Color intaglio with hand coloring on laid paper
Clark Art Institute, 1970.3
Jean-François Janinet
French, 1752–1814
Maximilien de Bethune, Duc de Sully
c. 1777
Color mezzotint on paper
Clark Art Institute, Bequest of Julius S. Held, 2004.13.13
Fritz Gabriel Fiesinger
German, 1752–1807
After Jean Guérin (French, 1734–1787)
H. G. Mirabeau (Gabriel Honoré de Riquetti, Comte de Mirabeau, 1749–1791)
1793
Stipple engraving and aquatint on laid paper, hand-colored
Clark Art Institute, 1985.42
Fritz Gabriel Fiesinger
German, 1752–1807
After Jean Guérin (French, 1734–1787)
H. G. Mirabeau (Gabriel Honoré de Riquetti, Comte de Mirabeau, 1749–1791)
1793
Stipple engraving in brown ink on laid paper
Clark Art Institute, 1985.43
Jean-François Janinet
French, 1752–1814
After Claude Hoin (French, 1750–1817)
Nina, ou, La Folle par Amour
1787
Color intaglio on paper
Clark Art Institute, 1955.2357
Philibert Louis Debucourt
French, 1755–1832
The Two Kisses (Les deux baisers)
1786
Color aquatint on laid paper
Clark Art Institute, 1955.1871
Philibert Louis Debucourt
French, 1755–1832
The Climb, or Morning Farewell (L’escalade ou les adieux du matin)
1787
Color intaglio on paper
Clark Art Institute, 1955.1897
Philibert Louis Debucourt
French, 1755–1832
The Visits (Les visites)
1800
Color aquatint and etching, printed à la poupée with hand-coloring
Clark Art Institute, 1955.2326
Philibert Louis Debucourt
French, 1755–1832
Dance Mania (La manie de la danse)
1809
Color aquatint and etching, printed à la poupée
Clark Art Institute, 1955.2328
François-Séraphin Delpech
French, 1778–1825
After Louis Léopold Boilly (French, 1761–1845)
The Poor Cat (Le pauvre chat)
1825
Hand-colored lithograph on paper
Clark Art Institute, 1955.2321
Gror
French, early 19th century
After Louis Léopold Boilly
(French, 1761–1845)
Second Scene of Robbers
c. 1805
Hand-colored aquatint on paper
Clark Art Institute, Gift from Corinne and Etienne Bréton, Paris, 2007.17
Mary Cassatt
American (active in France), 1844–1926
Mother’s Kiss
1891
Color drypoint and aquatint
Clark Art Institute, 1955.1409
Eugène Delâtre
French, 1864–1938
En Sentinelle
c. 1905
Color etching and aquatint on paper
Clark Art Institute, 1988.214
Eugène Delâtre
French, 1864–1938
Little Girl with a Pail
1893
Color etching and aquatint on laid paper
Clark Art Institute, 1988.215
Pierre-Georges Jeanniot
French, 1848–1934
Entrance to the Bois de Boulogne
1890s
Color aquatint on laid paper
Clark Art Institute, 1985.57
Charles Maurin
French, 1856–1914
Girl with Blue Ribbon Being Washed
1890s
Color etching and aquatint on wove paper
Clark Art Institute, Gift of Wendy Hoff, 1988.243
Camille Pissarro
French, 1830–1903
Peasant Women Weeding the Grass
c. 1894
Etching printed in blue, red, yellow, and black on cream laid paper
Clark Art Institute, 1962.91
Camille Pissarro
French, 1830–1903
The Gisors Market, Rue Cappeville
c. 1894
Etching on paper
Clark Art Institute, 1962.93
Camille Pissarro
French, 1830–1903
The Plow (Frontispiece for “Les Temps Nouveaux”)
1901
Lithograph on paper
Clark Art Institute, 1962.96
Richard Ranft
Swiss, 1862–1931
Three Peasants
c. 1900
Color aquatint on paper
Clark Art Institute, acquired with funds donated by Jeffrey Shedd, 1979.12
Jules Chéret
French, 1836–1932
Paris Illustré
1888
Color lithograph on paper
Clark Art Institute, 1955.2389
Jules Chéret
French, 1836–1932
Vin Mariani
1894–95
Color lithograph on paper
Clark Art Institute, 1955.2390
Jules Chéret
French, 1836–1932
Lady with a Mask
c. 1891
Lithograph in sanguine on paper
Clark Art Institute, 1955.2391
Jules Chéret
French, 1836–1932
Columbine and Harlequin
c. 1885–95
Lithograph in sanguine on paper
Clark Art Institute, 1955.2392
Jules Chéret
French, 1836–1932
Eldorado
1894
Color lithograph on paper
Clark Art Institute, 1955.2393
Jules Chéret
French, 1836–1932
Palais de Glace Champs Elysées, back view
1893
Color lithograph on paper
Clark Art Institute, 1955.2394
Jules Chéret
French, 1836–1932
Palais de Glace Champs Elysées, front view
1895
Color lithograph on paper
Clark Art Institute, 1955.2395
Jules Chéret
French, 1836–1932
Palais de Glace, plate 17 in Les maîtres de l’affiche, vol. 1
Paris: L’Imprimerie Chaix, 1896
Clark Art Institute Library
Jules Chéret
French, 1836–1932
Pastilles Poncelet
1896
Color lithograph on wove paper
Clark Art Institute, 1962.28
Henri de Toulouse-Lautrec
French, 1864–1901
At the Moulin Rouge: La Goulue and Her Sister
1892
Color lithograph on paper
Clark Art Institute, 1955.1433
Henri de Toulouse-Lautrec
French, 1864–1901
Balcony with a Gilded Grotesque Mask
1894
Color lithograph
Clark Art Institute, 1955.1434
Henri de Toulouse-Lautrec
French, 1864–1901
Mademoiselle Marcelle Lender, Bust-Length
1895
Lithograph printed in brown-green, yellow, red, dark pink, green, blue, gray, and yellow-green on cream wove paper
Clark Art Institute, 1955.1442
Henri de Toulouse-Lautrec
French, 1864–1901
Au Concert
1896
Brush and spatter color zincograph with watercolor and scraper
Clark Art Institute, 1955.1452
Henri de Toulouse-Lautrec
French, 1864–1901
Box in the Grand Tier
1897
Lithograph printed in black, orange-red, blue, beige, and yellow on cream wove paper
Clark Art Institute, 1962.118
Henri de Toulouse-Lautrec
French, 1864–1901
Dance at the Moulin Rouge
1897
Lithograph printed in gray-black, blue-gray, red, yellow, and green on cream wove paper
Clark Art Institute, 1962.119
Henri de Toulouse-Lautrec
French, 1864–1901
The Jockey
1899
Lithograph printed in black, green, red, brown, beige, and blue on cream wove paper
Clark Art Institute, 1962.122
Henri de Toulouse-Lautrec
French, 1864–1901
The Englishman at the Moulin Rouge
1892
Lithograph printed in green, gray, blue, orange red, yellow, and black on cream laid paper
Clark Art Institute, 1968.17
Émile Bernard
French, 1868–1941
Saint Mary Mother of God with a Lily (Sainte Marie Mère de Dieu avec un lys)
1895
Lithograph with hand-coloring on laid paper
Clark Art Institute, 2021.12
Paul Signac
French, 1863–1935
In the Time of Harmony (Au temps d’harmonie)
c. 1896
Color lithograph on paper
Clark Art Institute, 1967.18
Paul Signac
French, 1863–1935
Le Port de Saint-Tropez II
c. 1897–98
Color lithograph on wove paper
Clark Art Institute, Gift of Susan W. and Stephen D. Paine, 1986.121
Pierre Bonnard
French, 1867–1947
The Little Laundress (La petite blanchisseuse)
1896
Lithograph in deep red, orange yellow, bistre, gray-black, grayish beige, on China paper
Clark Art Institute, 1962.7
Pierre Bonnard
French, 1867–1947
Child with Lamp (Enfant à la lampe)
1896
Lithograph in green, blue, pink, red, beige-pink on China paper
Clark Art Institute, 1962.8
Pierre Bonnard
French, 1867–1947
Boating (Le canotage)
1897
Lithograph in green, blue, yellow, bistre-violet on China paper
Clark Art Institute, 1962.9
Pierre Bonnard
French, 1867–1947
The Orchard (Le verger)
1899
Lithograph in green, light blue, yellow, beige, black on China paper
Clark Art Institute, 1962.10
Henri Rivière
French, 1864–1951
The Port of Douarnenez, Brittany
1911
Color lithograph on wove paper
Clark Art Institute, 1982.4
Henri Rivière
French, 1864–1951
Horse in Cornfield
1898–1917
Color lithograph on wove paper
Clark Art Institute, 1984.109
Henri Rivière
French, 1864–1951
Aspects of Nature, no. 11: Sunset
1898
Color lithograph on wove paper
Clark Art Institute, 1984.110
Paul Cézanne
French, 1839–1906
The Bathers: Large Plate
1898
Lithograph printed in black, green, yellow-green, orange, gray, blue, and purple-blue on cream laid paper
Clark Art Institute, 1962.26
Paul Cézanne
French, 1839–1906
The Small Bathers
1897
Color lithograph
Clark Art Institute, 2012.14
Geoffrey Wakeman
Victorian Colour Printing
Loughborough, England: The Plough Press, 1981
Clark Art Institute Library
John F. Earhart
The Color Printer: A Treatise on the Use of Colors in Typographic Printing
Cincinnati: Earhart & Richardson, 1892
Clark Art Institute Library
L. Prang & Co.
American company operating 1860–1897
After Winslow Homer (American, 1836–1910)
Fishing in the North Woods
1896
Chromolithograph on white wove card
Clark Art Institute, 1955.985
Auguste Louis Lepère
French, 1849–1918
Modern Bucolics
1901
Color woodcut on paper
Clark Art Institute, 1991.14
Pierre Bonnard
French, 1867–1947
Some Aspects of Parisian Life (Quelques aspects de la vie de Paris)
c. 1898
Portfolio of twelve color lithographs plus cover
Clark Art Institute, 1962.11–23
Some Aspects of Parisian Life: cover
1962.11
Some Aspects of Life in Paris, 2: Avenue in the Bois de Boulogne
1962.16
Some Aspects of Life in Paris, 3: Street Corner
1962.17
Some Aspects of Life in Paris, 4: House in the Courtyard
1962.18
Some Aspects of Life in Paris, 5: Street Seen from Above
1962.19
Some Aspects of Life in Paris, 6: Boulevard
1962.12
Some Aspects of Life in Paris, 7: The Square in the Evening
1962.13
Some Aspects of Life in Paris, 8: Street Vendor
1962.14
Some Aspects of Life in Paris, 9: Le Pont des Arts
1962.15
Some Aspects of Life in Paris, 10: At the Theater
1962.20
Some Aspects of Life in Paris, 11: A Street on a Rainy Evening
1962.21
Some Aspects of Life in Paris, 12: Arc de Triomphe
1962.22
Some Aspects of Life in Paris, 13: Street Corner Seen from Above
1962.23
Maurice Denis
French, 1870–1943
Love (Amour)
1898
Portfolio of twelve color lithographs plus cover
Clark Art Institute, 1962.42–54
Love: Twelve Lithographs in Color: Cover
1962.42
Allegory
1962.43
She Was More Beautiful Than Dreams
1962.44
Our Souls in Slow Gestures
1962.45
On the Pale Silver Sofa
1962.46
Life Becomes Precious and Discreet
1962.47
These are Easy and Chaste Attitudes
1962.48
The Matinal Bouquet, Tears
1962.49
It Was a Religious Mystery
1962.50
The Knight Did Not Die in the Crusade
1962.51
Twilights Have the Softness of Old Paintings
1962.52
And It Is the Caress of Her Hands
1962.53
But It Is the Heart Which Beats too Fast
1962.54
Ker-Xavier Roussel
French, 1867–1944
Landscapes (Paysages)
1898 and c. 1900
Seven color lithographs (intended as portfolio of twelve, never completed)
Clark Art Institute, 1962.139–145
Landscapes: Figure in a Striped Dress
1898
1962.139
Landscapes: Nymphs (Femmes dans la campagne)
1898
1962.140
Landscapes: The Bathers
1898
1962.141
Landscapes: Venus and Cupid (La Source)
c. 1900
1962.142
Landscapes: Bathers near a River
1898
1962.143
Landscapes: Dancing Cupids (Amours jouant auprès d'une nymphe)
1898
1962.144
Landscapes: Figure Carrying an Umbrella (Femme en rouge dans un paysage)
1898
1962.145
Edouard Vuillard
French, 1868–1940
Landscapes and Interiors (Paysages et intérieurs)
1899
Portfolio of twelve color lithographs plus cover
Clark Art Institute, 1962.126–38
Landscapes and Interiors: Cover for the Album
1962.126
Landscapes and Interiors: The Game of Checkers
1962.127
Landscapes and Interiors: The Avenue
1962.128
Landscapes and Interiors: Through the Fields
1962.129
Landscapes and Interiors: Interior with Suspension Lamp
1962.130
Landscapes and Interiors: Interior with Pink Wallpaper I
1962.131
Landscapes and Interiors: Interior with Pink Wallpaper II
1962.132
Landscapes and Interiors: Interior with Pink Wallpaper III
1962.133
Landscapes and Interiors: The Hearth
1962.134
Landscapes and Interiors: On the Pont de l'Europe
1962.135
Landscapes and Interiors: The Pastry Shop
1962.136
Landscapes and Interiors: The Cook
1962.137
Landscapes and Interiors: The Two Sisters-in-law
1962.138