audio highlights

Director's intro, Frederic Remington in His New Rochelle Studio, 1905, Photograph, Frederic Remington Art Museum, Ogdensburg, New York

Frederic Remington, "In the Lodges of the Blackfeet Indians", Wood engraving from Harper's Weekly, July 23, 1887, Courtesy of William A. Cormier, Cormier Art Gallery, Pittsfield, Massachusetts

An Indian Trapper, 1889, Oil on canvas, Amon Carter Museum, Fort Worth, Texas

Aiding a Comrade (Past All Surgery), c. 1890, Oil on canvas, The Museum of Fine Arts, Houston, Texas. The Hogg Brothers Collection, gift of Miss Ima Hogg

The Defiance, c. 1890, Oil on canvas, Private collection

Dismounted-The Fourth Troopers Moving the Led Horses, 1890, Oil on canvas, Sterling and Francine Clark Art Institute, Williamstown, Massachusetts

Cowboy, c. 1890, Oil on canvas, Private collection

Broncho Buster, 1895, Bronze, Williams College Museum of Art, Williamstown, Massachusetts. Gift of James Rathbone Falck, Class of 1935

The Wounded Bunkie, 1896, Bronze, Sterling and Francine Clark Art Institute, Williamstown, Massachusetts

Harper's New Monthly Magazine, No. 576, May 1898, featuring Frederic Remington's, "How Order No. 6 Went Through,"pp. 846-52. Sterling and Francine Clark Art Institute, Williamstown, Massachusetts

Personal Recollections and Observations of General Nelson A. Miles . . . . with Graphic Pictures by Frederic Remington, (Chicago and New York: The Werner Company, 1896), Publisher's binding, gilt, Sterling and Francine Clark Art Institute, Williamstown, Massachusetts

Frederic Remington, Plains Indians Riding to War, c. 1896, Oil on canvas, Private collection

Pursuing the Indians, c. 1896, Oil on canvas, Cynthia L. and William E. Simon, Jr.

Drawings by Frederic Remington, (New York, R. H. Russell; London: Lawrence & Bullen 1897) No. 241 of 250, signed by Frederic Remington and R.H. Russell, Suede publisher's binding, Sterling and Francine Clark Art Institute, Williamstown, Massachusetts

A Reconnaissance, 1902, Oil on canvas, Private collection

Indian Scouts at Evening, c. 1906, Oil on canvas, Collection of Jane Forbes Clark

Trail of the Shod Horse, 1907, Oil on canvas, Princeton University Art Museum. Gift of Francis Earle, Class of 1909, for the Philip Ashton Rollins, Class of 1889, Collection of Western Americana; transferred from the Princeton University Library

Friends or Foes? (The Scout), c. 1902-5, Oil on canvas, Sterling and Francine Clark Art Institute, Williamstown, Massachusetts