selected readings

Alpers, Svetlana. The Decoration of the Torre de la Parada: Corpus Rubenianum Ludwig Burchard, Part IX. London: Phaidon Press, 1971.

Anes, Gonzalo. Las colecciones reales y la fundación del Museum del Prado. Madrid: Fundaci.n de Amigos del Museo del Prado, 1996.

Bayer, Andrea, ed. Art and Love in Renaissance Italy. Exh. cat. New Haven, Conn.: Yale University Press, 2008.

Bernstein, Joanne G. “The Female Model and the Renaissance Nude: Dürer, Giorgione, and Raphael.” Artibus et Historiae 13, no. 26 (1992): 49–63.

Boccardo, Piero, and Xavier F. Salomon, eds. Guido Reni: Il tormento e l’estasi; I San Sebastiano a confronto. Exh. cat. Milan: Silvana Editoriale, 2007.

Brown, Jonathan. A Palace for a King: The Buen Retiro and the Court of Philip IV. New Haven, Conn.: Yale University Press, 1980.

Brown, Jonathan. The Golden Age of Painting in Spain. New Haven, Conn.: Yale University Press, 1991.

Brown, Jonathan. Kings and Connoisseurs: Collecting Art in Seventeenth- Century Europe. Princeton, N.J.: Princeton University Press, 1995.

Brown, Patricia Fortini. Private Lives: Art, Architecture, and the Family in Renaissance Venice. New Haven, Conn.: Yale University Press, 2004.

Burke, Jill. “Nakedness and Other Peoples: Rethinking the Italian Renaissance Nude.” Art History 36, no. 4 (September 2013): 714–39.

Burke, Jill. The Italian Renaissance Nude: Nakedness in Art and Life, 1400–1530. New Haven, Conn.: Yale University Press, forthcoming.

Burke, Marcus B., and Peter Cherry. Collections of Paintings in Madrid, 1601–1755. Documents for the History of Collecting. Edited by Maria L. Gilbert. 2 vols. Los Angeles: Provenance Index of the Getty Information Institute, 1997.

Carducho, Vicente. Diálogos de la pintura. Edited by F. Calvo Serraller. 1633. Madrid: Turner, 1979.

Carroll, Margaret D. Painting and Politics in Northern Europe: Van Eyck, Brueghel, Rubens, and Their Contemporaries. University Park, Pa.: Penn State Press, 2008.

Checa Cremades, Fernando. Felipe II: Mecenas de las artes. Madrid: Nerea, 1992.

Checa Cremades, Fernando et al., eds. Museo del Prado: Cátálogo de las pinturas. Madrid: Ministerio de Educaci.n y Cultura, 1996.

Civil, Pierre. “Erotismo y pintura mitológica en la España del siglo de oro.” Edad de oro 9 (1990): 39–49.

Clark, Kenneth. The Nude: A Study in Ideal Form. London: John Murray,1956.

Dal Pozzo, Cassiano. El diario del viaje a España del Cardenal Francesco Barberini/Il diario del viaggio in Spagna del Cardinale Francesco Barberini. Edited by Alessandra Anselmi. 1626. Madrid: Fundaci.n Carolina, 2004.

De Clippel, Karolien. “Rubens’s ‘Nymphs and Satyrs’ in the Prado: Observations
on Its Genesis and Meaning.” Burlington Magazine 149 (February 2007): 76–81.

De Clippel, Karolien, Katharina Van Cauteren, and Katlijne Van der Stighelen,
eds. The Nude and the Norm in the Early Modern Low Countries. Turnhout, Belgium: Brepols, 2011.

Delenda, Odile. Francisco de Zurbarán, 1598–1664: Catálogo razonado y critic. Madrid: Fundaci.n Arte Hisp.nico, 2009.

Diaz Padrón, Matías. Museo del Prado: Catálogo de pinturas; Escuela flamenca.
Madrid: Museo Nacional del Prado, 1975.

Diaz Padrón, Matías. El siglo de Rubens en el Museo del Prado: Catálogo rezonado de pintura flamenca del siglo XVII. Madrid: Editorial Prensa Ib.rica, 1995.

Ertz, Klaus. Jan Brueghel der Ältere (1568–1625): Kritischer Katalog der Gemälde. Lingen: Luca Verlag, 2008–10.

Falomir Faus, Miguel, ed. Tiziano. Exh. cat. Madrid: Museo Nacional del Prado, 2003.

Falomir Faus, Miguel, ed. Tintoretto. Exh. cat. Madrid: Museo Nacional del Prado, 2007.

Farina, Viviana. Al sole e all’ombra di Ribera: Questioni di pittura e disegno a Napoli nella prima metà del seicento. Exh. cat. Naples: Nicola Longobardi Editore, 2014.

Georgievska-Shine, Aneta. “Rubens’s Europa and Titian’s Auctoris Index.” Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek 59 (2009): 275–291.

Georgievska-Shine, Aneta, and Larry Silver. Rubens, Velázquez, and the King of Spain. Burlington, Vt.: Ashgate, 2014.

Goffen, Rona. Titian’s Women. New Haven, Conn.: Yale University Press, 1997.

Goldfarb, Hilliard T., David Freedberg, and Manuela B. Mena Marqu.s. Titian and Rubens: Power, Politics, and Style. Exh. cat. Boston: Isabella Stewart Gardner Museum, 1998.

Held, Julius. The Oil Sketches of Peter Paul Rubens: A Critical Catalogue. Princeton, N.J.: Princeton University Press, 1980.

Leppert, Richard. The Nude: The Cultural Rhetoric of the Body in the Art of Western Modernity. Boulder, Colo.: Westview Press, 2007.

Lindquist, Sherry, ed. The Meanings of Nudity in Medieval Art. Burlington, Vt.: Ashgate, 2012.

Malvasia, Carlo Cesare. Felsina pittrice: Vite de’ pittori bolognesi con aggiunte, correzioni e note inedite dell’ autore. Edited by Giampetro Zanotti. 2 vols. Bologna: Guidi all’Ancora, 1841.

Marshall, Louise. “Reading the Body of a Plague Saint: Narrative Altarpieces and Devotional Images of St. Sebastian in Renaissance Art.” In Reading Texts and Images: Essays on Medieval and Renaissance Art and Patronage in Honour of Margaret M. Manion, edited by Bernard J. Muir, 237–72. Exeter, England: University of Exeter Press, 2002.

McIver, Katherine A. “Visual Pleasures, Sensual Sounds: Music, Morality, and Sexuality in Paintings by Titian.” In Sexualities, Textualities, Art, and Music in Early Modern Italy: Playing with Boundaries, edited by Linda L. Carroll, Melanie L. Marshall, and Katherine A. McIver, 13–22. Burlington, Vt.: Ashgate, 2014.

Muller, Jeffrey M. Rubens: The Artist as Collector. Princeton, N.J.: Princeton University Press, 1989.

Ovid. Metamorphoses. Translated by Rolfe Humphries. Bloomington: Indiana University Press, 1983.

Portús, Javier. “Indecencia, mortificación y modos de ver en la pintura del siglo de oro.” Espacio, tiempo y forma, series 7, Historia del Arte 8 (1995): 55–88.

Portús, Javier. La sala reservada del Museo del Prado y el coleccionismo de pintura de desnudo en la corte española, 1554–1838. Madrid: Museo Nacional del Prado, 1998.

Portús, Javier. La sala reservada y el desnudo en el Museo del Prado. Madrid: Museo Nacional del Prado, 2002.

Portús, Javier. Velázquez y la familia de Felipe IV, 1650–1680. Madrid: Museo Nacional del Prado, 2013.

Rosenthal, Lisa. Gender, Politics, and Allegory in the Art of Rubens. Cambridge: Cambridge University Press, 2005.

Rosenthal, Margaret F. The Honest Courtesan: Veronica Franco, Citizen and Writer in Sixteenth-Century Venice. Chicago: University of Chicago Press, 1992.

Schmitter, Monika. “The Quadro Da Portego in Sixteenth-Century Venetian Art.” Renaissance Quarterly 64, no. 3 (September 2011): 693–751.

Steinberg, Leo. The Sexuality of Christ in Renaissance Art and in Modern Oblivion. London: Faber & Faber, 1984.

Stoichita, Victor. The Self-Aware Image: An Insight into Early Modern Meta-Painting. Translated by Anne-Marie Glasheen. Cambridge: Cambridge University Press, 1997.

Talvacchia, Bette. Taking Positions: On the Erotic in Renaissance Culture. Princeton, N.J.: Princeton University Press, 1999.

Úbeda de los Cobos, Andrés, ed. Paintings for the Planet King: Philip IV and the Buen Retiro Palace. Exh. cat. London: Paul Holberton, 2005.

Van Hout, Nico. “Reconsidering Rubens’s Flesh Colour.” Boletín del Museo del Prado 19, no. 37 (2001): 7–20.

Vergara, Alejandro. Rubens and His Spanish Patrons. Cambridge: Cambridge University Press, 1999.

Wood, Jeremy. Rubens: Copies and Adaptations from Renaissance and
 Later Masters; Italian Artists. Vol. 2 of 2: Titian and North Italian Art: Corpus Rubenianum Ludwig Burchard, Part XXVI. London: Harvey Miller, 2010.

Woollett, Amy T., and Ariane van Suchtelen, eds. Rubens and Brueghel: A Working Friendship. Exh. cat. Los Angeles: J. Paul Getty Museum, 2006.

A fully illustrated catalogue accompanies the exhibition, with an essay by Javier Portús on the Spanish royal taste in collecting and the role of the sala reservada, as well as a contemporary response to understanding the nude in Renaissance and Baroque painting by Jill Burke. The catalogue is published by the Clark and distributed by Yale University Press. Call the Museum Store at 413 458 0520 to order.