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FEBRUARY 4–APRIL 29, 2007


Landscapes Old & New


Claude's nature drawings demonstrate his commitment to engaging directly with the world around him. In his wanderings around Rome, however, he mostly ignored modern life to focus instead on the vestiges of the Eternal City's classical heritage. He viewed nature through the prism of the past, made alive to him through the remains of ancient architecture and through its literary manifestations, as in the pastoral poetry of such writers as Theocritus and Virgil. The dialogue between the intrinsic delight of the landscape and its richer historical associations was a major theme of Claude's art. The image of Rome still suffused by the spirit of a glorious past that might be recaptured in the present appealed to the artist's patrons.

 



 

By Richard Rand

The book presents some of Claude's most remarkable drawings—including all aspects of his style and subject matter, from informal outdoor sketches of trees, rivers, and ruins to formal presentation drawings and elaborate compositional designs for paintings—many of which have never before been reproduced in color. A detailed and scholarly essay places them within the social and cultural contexts of their time and includes comparative illustrations of paintings and etchings to situate them within the artist's oeuvre.

228 pages, 9 1/2 x 10 1/2 inches
137 color illustrations
Published by the Sterling and Francine Clark Art Institute in association with Yale University Press