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FEBRUARY 4–APRIL 29, 2007


Mythological & Biblical Landscapes


As Claude's early biographer noted, "the great quality of this artist was a marvelous and still-unsurpassed imitation of nature." His landscapes were also steeped in the humanistic traditions of his day. Claude's sophisticated patrons—Roman princes, cardinals, popes, as well as prominent collectors across Europe—appreciated the poetic allusions as well as the visual harmony he brought to his compositions. Like other landscapists at the time, Claude often introduced episodes from classical literature or the Bible, both to "ennoble" his scenes and to add narrative interest. He nearly always chose quiet, contemplative subjects, which underscore the elegiac and nostalgic aspect of his pastoral vision.

 




 

By Richard Rand

The book presents some of Claude's most remarkable drawings—including all aspects of his style and subject matter, from informal outdoor sketches of trees, rivers, and ruins to formal presentation drawings and elaborate compositional designs for paintings—many of which have never before been reproduced in color. A detailed and scholarly essay places them within the social and cultural contexts of their time and includes comparative illustrations of paintings and etchings to situate them within the artist's oeuvre.

228 pages, 9 1/2 x 10 1/2 inches
137 color illustrations
Published by the Sterling and Francine Clark Art Institute in association with Yale University Press