Exhibition Checklist

Drawings

A Storm at Sea, 1630
Red chalk, pen and brown ink with brown wash and white heightening on beige paper, 129 x 179 mm
The British Museum, London

Nocturnal Landscape, 1635–40
Pen and brown ink with brown wash on white paper, 185 x 254 mm
The British Museum, London

A Waterfall and Trees, 1635
Black chalk, pen and brown ink with brown wash and white heightening on buff paper, 388 x 252 mm
The British Museum, London

Landscape, c. 1635
Black chalk with brown and gray-brown wash on white paper, 205 x 274 mm
The British Museum, London

A Grove in Shadow, c. 1635
Pen and brown ink with brown wash on white paper, 191 x 260 mm
The British Museum, London

Harbor Scene, 1636
Pen and brown ink with brown wash and white heightening on white paper, 195 x 225 mm
Liber Veritatis 6
The British Museum, London

The Campo Vaccino, c. 1636
Red chalk, pen and brown ink with brown wash on white paper, 181 x 256 mm
The British Museum, London

The Campo Vaccino, c. 1636
Pen and brown ink with brown wash on blue paper, 188 x 263 mm
Liber Veritatis 9
The British Museum, London

An Antique Herdsman, 1635–40
Red and black chalk with brown wash, reworked with pen and brown ink on white paper, 269 x 192 mm
The British Museum, London

A Stream in Subiaco, 1637
Black chalk, pen and brown ink with brown and pink-brown wash and white heightening on blue paper, 238 x 395 mm
The British Museum, London

A Storm off the Coast, 1638–39
Pen and brown ink with brown wash and white heightening on blue paper, 195 x 260 mm
Liber Veritatis 33
The British Museum, London

Views from Velletri, c. 1638
Pen and brown ink with brown and gray wash on white paper, 219 x 320 mm
The British Museum, London

A Ship in a Storm, c. 1638
Black chalk with pen and brown ink with brown wash on white paper, 271 x 219 mm
The British Museum, London

The Tomb of Cecilia Metella, c. 1638
Black chalk, pen and brown ink with brown and gray wash on white paper, 285 x 221 mm
The British Museum, London

An Artist Sketching with a Second Figure Looking On, 1635–40
Black chalk with dark brown wash on white paper, 214 x 321 mm
The British Museum, London

A Study of an Oak Tree, c. 1638
Black chalk, pen and brown ink with gray-brown wash on white paper, 330 x 224 mm
The British Museum, London

Trees, c. 1638
Black chalk, pen and brown ink with brown wash on white paper, 319 x 217 mm
The British Museum, London

The Tomb of Nero, c. 1640
Pen and brown ink with gray wash on cream-tinted paper, 256 x 400 mm
The British Museum, London

The Tiber from Monte Mario Looking Southeast, c. 1640–41
Dark brown wash on white paper, 185 x 268 mm
The British Museum, London

A Grove of Pine Trees with a Ruined Tower, 1638–39
Pen and brown ink with brown, gray, and pink wash on white paper, 320 x 222 mm
The British Museum, London

Study for a Landscape with Figures [recto]
View of a Seaport [verso], 1638–40
Recto: Black and red chalk, pen and brown ink with brown and gray wash on white paper
Verso: Black chalk with pen and brown ink on white paper, 224 x 327 mm
The British Museum, London

Landscape with a Country Dance, 1640–41
Pen and brown ink with dark brown and gray-brown wash on white paper, 196 x 267 mm
Liber Veritatis 53
The British Museum, London

Landscape, 1638–40
Black chalk with brown and pink wash and white heightening on white paper, 221 x 330 mm
The British Museum, London

Landscape with Ruined Tower, c. 1640
Pen and brown ink with brown wash on white paper, 324 x 215 mm
The British Museum, London

View with Trees, 1638–40
Pen and brown ink with gray-brown wash on white paper, 219 x 323 mm
The British Museum, London

The Edge of a Wood, c. 1640
Black chalk, pen and brown ink with brown wash on blue paper, 191 x 257 mm
The British Museum, London

A Town in the Campagna, c. 1640
Pen and brown ink with brown wash on white paper, 192 x 266 mm
The British Museum, London

A View of Tivoli from the Temple of the Sibyl, 1640–41
Pen and brown ink with brown wash on white paper, 215 x 315 mm
The British Museum, London

View of Tivoli, 1640–41
Pen and brown ink with brown and red wash on white paper, 215 x 316 mm
The British Museum, London

A Road in Wooded Countryside, 1640–41
Pen and brown ink with brown, gray-brown, and pink wash on white paper, 215 x 313 mm
The British Museum, London

Saint Peter's Basilica, Seen from the Janiculum [recto]
Ruins on the Palatine [verso], 1640–41
Recto: Black chalk with gray and brown wash on white paper
Verso: Black chalk on white paper, 211 x 307 mm
The British Museum, London

Seaport with the Embarkation of Saint Ursula, c. 1641
Black chalk, pen and gray ink with gray wash on white paper, 189 x 260 mm
Liber Veritatis 198
The British Museum, London

Seaport with the Embarkation of Saint Ursula, 1641
Pen and brown ink with dark brown wash on white paper, 196 x 264 mm
Liber Veritatis 54
The British Museum, London

Landscape by Moonlight, 1641
Pen and brown ink with dark brown and red wash and white heightening on blue paper, 198 x 264 mm
Liber Veritatis 59
The British Museum, London

The Road from Tivoli to Subiaco, 1642
Pen and brown ink with brown wash on white paper, 214 x 313 mm
The British Museum, London

A Group of Trees, 1640–45
Pen and brown ink with brown wash on white paper, 259 x 240 mm
The British Museum, London

Figures Disembarking at a Port, c. 1640
Pen and brown ink with brown wash on white paper, 147 x 219 mm
The British Museum, London

Landscape with Tobias and the Angel, 1642
Pen and brown ink with brown wash and white heightening on blue paper, 198 x 265 mm
Liber Veritatis 65
The British Museum, London

Landscape with A Rider and An Idealized View of Tivoli, 1642
Pen and brown ink with dark brown wash on white paper, 196 x 264 mm
Liber Veritatis 67
The British Museum, London

Storm at Sea, 1643–44
Pen and brown ink with brown wash and white heightening on blue paper, 195 x 260 mm
Liber Veritatis 74
The British Museum, London

A Group of Figures with Two Dogs, 1642–44
Black chalk with gray wash on white paper, 181 x 260 mm
The British Museum, London

Pastoral Landscape, 1644
Pen and brown ink with brown wash and white heightening on blue paper, 198 x 265 mm
Liber Veritatis 81
The British Museum, London

Landscape with the Rest on the Flight into Egypt, 1644–45
Pen and brown ink with brown wash and white heightening on blue paper, 260 x 197 mm
Liber Veritatis 88
The British Museum, London

A View of the Roman Campagna from Tivoli, 1644–45
Pen and brown ink with brown wash and white heightening on blue paper, 195 x 260 mm
Liber Veritatis 89
The British Museum, London

A Bank of Trees, c. 1645
Black chalk, pen and brown ink with brown, pink, and gray wash and white heightening on blue paper, 224 x 327 mm
The British Museum, London

Mercury and Argus, c. 1647
Black chalk, pen and brown ink with gray-brown wash and white heightening on blue paper, 241 x 359 mm
The British Museum, London

A Hut by the Edge of a Wood, 1645
Black chalk, pen and brown ink with white heightening on yellowish-gray-tinted paper, 257 x 403 mm
The British Museum, London

Landscape with the Death of Procris, 1646
Pen and brown ink with brown and gray-brown wash on white paper, 197 x 261 mm
Liber Veritatis 100
The British Museum, London

View of Sasso, c. 1649
Black chalk, pen and brown ink with brown and reddish-brown wash on white paper, 219 x 319 mm
The British Museum, London

Pastoral Landscape, c. 1645
Pen and brown ink with brown wash on white paper, 199 x 274 mm
Liber Veritatis 199
The British Museum, London

Landscape with John the Baptist and Two Angels, c. 1647
Pen and brown ink with brown wash on white paper, 199 x 288 mm
The British Museum, London

Landscape, c. 1647
Black chalk, pen and brown ink with brown wash on white paper, 190 x 267 mm
The British Museum, London

Landscape with Dancing Figures (The Mill), 1648
Pen and brown ink with brown wash and white heightening on blue paper, 200 x 260 mm
Liber Veritatis 85
The British Museum, London

The Arch of Constantine, 1645–50
Pen and brown ink with brown and gray wash on white paper, 188 x 249 mm
The British Museum, London

Pastoral Landscape with the Arch of Constantine, 1648
Pen and brown ink with brown and gray wash on white paper, 195 x 258 mm
Liber Veritatis 115
The British Museum, London

Seacoast with the Landing of Aeneas in Latium, c. 1650
Black chalk, pen and brown ink with brown wash on white paper, 192 x 267 mm
The British Museum, London

Seacoast with the Landing of Aeneas, 1650
Pen and brown ink with brown wash and white heightening on blue paper, 198 x 258 mm
Liber Veritatis 122
The British Museum, London

Travelers on a Road Below a Large Tree, c. 1650
Black chalk with gray wash and white heightening on yellow-tinted paper, 257 x 403 mm
The British Museum, London

The Church of Sant'Agnese with a Herdsman, 1650–55
Black chalk, pen and brown ink with brown wash on white paper, 187 x 249 mm
The British Museum, London

Landscape with the Adoration of the Golden Calf, 1650–53
Pen and brown ink with gray wash on white paper, 200 x 269 mm
The British Museum, London

Pastoral Landscape, c. 1655
Pen and brown ink with brown wash on white paper, 184 x 246 mm
The British Museum, London

Landscape with Christ Preaching on Mount Tabor, c. 1655
Black chalk with brown wash and white heightening on brown-tinted paper, 296 x 422 mm
The British Museum, London

Landscape with Christ Preaching on Mount Tabor, 1656
Pen and brown ink with brown wash and white heightening on blue paper, 201 x 262 mm
Liber Veritatis 138
The British Museum, London

Coast Scene with Acis and Galatea, 1657
Pen and brown ink with brown wash on white paper, 196 x 256 mm
Liber Veritatis 141
The British Museum, London

Queen Esther at the Palace of Ahasuerus, 1659
Black chalk, pen and brown ink with brown wash on white paper, 219 x 324 mm
The British Museum, London

Queen Esther at the Palace of Ahasuerus, 1659
Pen and brown ink with brown wash and white heightening on blue paper, 192 x 251 mm
Liber Veritatis 146
The British Museum, London

A Study of Trees and Rocks, c. 1660
Black chalk with pale gray wash on white paper, 260 x 391 mm
The British Museum, London

Landscape with the Rest on the Flight into Egypt, 1661
Pen and brown ink with brown wash and white and gold heightening on blue paper, 198 x 260 mm
Liber Veritatis 154
The British Museum, London

Landscape with the Rest on the Flight into Egypt, 1663
Black chalk with gray wash on blue-tinted paper, 437 x 351 mm
The British Museum, London

Three Figures on the Banks of a River (La Crescenza), 1662
Pen and brown ink with dark brown wash on white paper, 183 x 251 mm
The British Museum, London

Landscape with Mercury and Battus, 1663
Pen and brown ink with brown wash and white and gold heightening on blue paper, 197 x 258 mm
Liber Veritatis 159
The British Museum, London

A Study of a Large Tree, 1660–65
Black chalk with gray wash on white paper, 385 x 333 mm
The British Museum, London

Coast Scene with Jonah and the Whale, 1666–67
Pen and black and brown ink with brown and gray wash and white heightening on white paper, 185 x 257 mm
Liber Veritatis 200
The British Museum, London

Coast View with Aeneas Hunting, 1672
Pen and brown ink with pale gray and gray-brown wash and white heightening on blue paper, 193 x 255 mm
Liber Veritatis 180
The British Museum, London

Coast View with Aeneas and the Cumaean Sibyl, 1673
Pen and brown ink with gray and gray-brown wash and white heightening on blue paper, 192 x 255 mm
Liber Veritatis 183
The British Museum, London

A View of the Aventine, 1673
Black chalk, pen and brown ink with brown wash on white paper, 192 x 264 mm
The British Museum, London

The Landing of Aeneas, 1675
Black chalk, pen and brown ink with brown wash on white paper, 185 x 255 mm
The British Museum, London

Landscape with the Arrival of Aeneas at Pallanteum, 1675
Pen and brown ink with gray and gray-brown wash and white heightening on blue paper, 195 x 254 mm
Liber Veritatis 185
The British Museum, London

Landscape with the Temptation of Christ, 1676 [1670?]
Pen and brown ink with brown and gray wash and white heightening on blue paper, 279 x 188 mm
The British Museum, London

Landscape with Aeneas and the Cumaean Sibyl, 1677
Pen and brown ink with brown wash and white heightening on white paper, 227 x 378 mm
The British Museum, London

Etchings

The Tempest, 1630
Etching on white paper, first state, 125 x 176 mm
The British Museum, London

The Campo Vaccino, 1636
Etching on white paper, first state, counter-proof, 199 x 258 mm
The British Museum, London

The Campo Vaccino, 1636
Etching on white paper, first state, 199 x 258 mm
The British Museum, London

The Shipwreck, c. 1638–41
Etching on white paper, third state B, 130 x 183 mm
The British Museum, London

Coast Scene with an Artist, c. 1638–41
Etching on white paper, third state B, 128 x 180 mm
The British Museum, London

Shepherd and Shepherdess Conversing in a Landscape, c. 1651
Etching on white paper, first state, retouched in pen and brown ink, 200 x 258 mm
The British Museum, London

Mercury and Argus, 1662
Etching on white paper, second state A, 152 x 217 mm
The British Museum, London

Mercury and Argus, 1662
Etching on white paper, second state C, 152 x 217 mm
The British Museum, London

The Goatherd, 1663
Etching on white paper, second state, 170 x 225 mm
The British Museum, London

Paintings

Landscape with a Goatherd and Goats, 1636–37
Oil on canvas, 52 x 41 cm
National Gallery, London

An Artist Studying from Nature, 1639
Oil on canvas, 78.1 x 101 cm
Cincinnati Art Museum. Gift of Mary Hanna

Landscape with Nymph and Satyr Dancing, c. 1641
Oil on canvas, 99.6 x 133 cm
Toledo Museum of Art. Purchased with funds from the Libbey Endowment, Gift of Edward Drummond Libbey

View of Tivoli at Sunset, 1642–44
Oil on canvas, 100.3 x 135.9 cm
Fine Arts Museums of San Francisco. Gift of the Samuel H. Kress Foundation

A Seaport at Sunset, c. 1635
Oil on copper, 40.6 x 53.3 cm
The Detroit Institute of Arts. Founders Society Purchase with funds from Mr. and Mrs. Edgar B. Whitcomb

Landscape with Shepherds, 1644
Oil on canvas, 98 x 137 cm
Musée des Beaux-Arts, Grenoble

Ideal View of Tivoli, 1644
Oil on canvas, 117 x 147 cm
New Orleans Museum of Art. Museum Purchase

The Judgment of Paris, 1645–46
Oil on canvas, 112.3 x 149.5 cm
National Gallery of Art, Washington. Ailsa Mellon Bruce Fund

Rest on the Flight into Egypt, 1646
Oil on panel, 32.8 x 38 cm
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts

View of La Crescenza, 1648–50
Oil on canvas, 38.7 x 58.1 cm
The Metropolitan Museum of Art, New York. Purchase, The Annenberg Fund Inc. Gift, 1978

Landscape with the Voyage of Jacob, 1677
Oil on canvas, 71.5 x 95 cm
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts

Pastoral Landscape, 1677
Oil on canvas, 57.2 x 82.2 cm
Kimbell Art Museum, Fort Worth, Texas

Apollo and the Muses on Mount Helicon, 1682
Oil on canvas, 99.7 x 136.5 cm
Museum of Fine Arts, Boston. Picture Fund

By Richard Rand

The book presents some of Claude's most remarkable drawings—including all aspects of his style and subject matter, from informal outdoor sketches of trees, rivers, and ruins to formal presentation drawings and elaborate compositional designs for paintings—many of which have never before been reproduced in color. A detailed and scholarly essay places them within the social and cultural contexts of their time and includes comparative illustrations of paintings and etchings to situate them within the artist's oeuvre.

228 pages, 9 1/2 x 10 1/2 inches
137 color illustrations
Published by the Sterling and Francine Clark Art Institute in association with Yale University Press