Machine Age Modernism
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FEBRUARY 28–May 17, 2015
Image Gallery
ANDREW-POWER
SYBIL ANDREWS
(ENGLISH, 1898–1992)
CYRIL POWER
(ENGLISH, 1872–1951)
ALDERSHOT TATTOO
1934
Color lithograph on paper, backed with canvas
Daniel Cowin Collection
Cyril Power © Bridgeman Images
Sybil Andrews © Glenbow, Calgary, 2014
C. R. W. NEVINSON
(ENGLISH, 1889–1946)
RETURNING TO THE TRENCHES
1916
Drypoint on paper
Daniel Cowin Collection © Bridgeman Images
CYRIL POWER
(ENGLISH, 1872–1951)
MONSEIGNEUR ST. THOMAS
1931
Color linocut on paper
Daniel Cowin Collection © Bridgeman Images
EDWARD WADSWORTH
(ENGLISH, 1889–1949)
DOCK SCENE
1917
Woodcut on paper
Daniel Cowin Collection © 2014 Artists Rights Society (ARS), New York / DACS, London
EDWARD WADSWORTH
(ENGLISH, 1889–1949)
THE OPEN WINDOW
c. 1914
Color woodcut on paper
Daniel Cowin Collection © 2014 Artists Rights Society (ARS), New York / DACS, London
LILL TSCHUDI
(SWISS, 1911–2004)
ICE HOCKEY
1933 (USA ed. 1950)
Color linocut on paper
Daniel Cowin Collection © Estate of Lill Tschudi
SYBIL ANDREWS
(ENGLISH, 1898–1992)
SLEDGEHAMMERS
1933
Color linocut on paper
Daniel Cowin Collection © Glenbow, Calgary, 2014
SYBIL ANDREWS
(ENGLISH, 1898–1992)
THE GALE
1930
Color linocut on paper
Daniel Cowin Collection © Glenbow, Calgary, 2014
Machine Age Modernism
Machine Age Modernism is accompanied by a fully illustrated catalogue with essays by Jonathan Black, a senior research fellow in the history of art at Kingston University in London, and Jay A. Clarke, Manton Curator of Prints, Drawings, and Photographs at the Clark.