Architectural Composition (Triumphal building)

Visionary design for the facade of a building

Architectural Composition (Triumphal arch) or Visionary design for a freestanding gateway

Visionary design for a capital surmounted by a seated angel

Illustrated letter with a drawing of a project for the monument to the dead.

Paul Goesch

German, 1885–1940

Architectural composition (Triumphal arch) or Visionary design for a gateway, c. 1920–21

Graphite and gouache on watercolor paper.
Centre Canadien d'Architecture/Canadian Centre for Architecture, Montreal,
DR1988:0241

Paul Goesch

German, 1885–1940

Visionary design for an arch, c. 1920–21,

Graphite and gouache on watercolor paper.
Centre Canadien d'Architecture/Canadian Centre for Architecture, Montreal,
DR1988:0254

Paul Goesch

German, 1885–1940

Architectural composition (Triumphal arch), 1921,

Pen and black ink and gouache on wove paper.
Centre Canadien d'Architecture/Canadian Centre for Architecture, Montreal,
DR1988:0240

Paul Goesch

German, 1885–1940

Visionary design for the facade of a building, c. 1920–21,

Pen and black ink with blue, green, and orange pencil.
Centre Canadien d'Architecture/Canadian Centre for Architecture, Montreal,
DR1988:0097

Paul Goesch

German, 1885–1940

Visionary design for a gateway, c. 1920–21,

Pen and black ink, watercolor, and gouache.
Centre Canadien d'Architecture/Canadian Centre for Architecture, Montreal,
DR1988:0243

Paul Goesch

German, 1885–1940

Architectural fantasy, c. 1920–21,

Carbon copy.
Centre Canadien d'Architecture/Canadian Centre for Architecture, Montreal,
DR1988:0144

Paul Goesch

German, 1885–1940

Architectural composition (Triumphal arch) or Visionary design for a freestanding gateway, 1921,

Watercolour and gouache over pen and black ink on tracing paper.
Centre Canadien d'Architecture/Canadian Centre for Architecture, Montreal,
DR1988:0242

Paul Goesch

German, 1885–1940

Visionary design for a capital surmounted by a seated angel, probably December 6, 1920,

Pen and black ink, watercolor, and medium grey and bronze-colored pigment.
Centre Canadien d'Architecture/Canadian Centre for Architecture, Montreal,
DR1988:0235

Paul Goesch

German, 1885–1940

Abstract composition, c. 1920–21,

Pen and black ink with traces of graphite.
Centre Canadien d'Architecture/Canadian Centre for Architecture, Montreal,
DR1988:0250

Bruno Taut

German, 1880–1938

Illustrated letter with a drawing of a project for the monument to the dead, December 23, 1919,

Reprographic copy on paper.
Centre Canadien d'Architecture/Canadian Centre for Architecture, Montreal,
DR1988:0023:003

Lyonel Feininger

American, 1871–1956

Gelmeroda, 1920,

Woodcut (re-strike) on Sekishu Natural Japanese handmade paper by Spiral Press, N.Y.
Gift of the estate of William J. Collins, 1982,
1982.111
© Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn

Wassily Kandinsky

Russian, 1866–1944

Paul Goesch

Architectural composition (Triumphal arch) or Visionary design for a gateway, c. 1920–21

Paul Goesch

Visionary design for an arch, c. 1920–21,

Paul Goesch

Architectural composition (Triumphal arch), 1921,

Paul Goesch

Visionary design for the facade of a building, c. 1920–21,

Paul Goesch

Visionary design for a gateway, c. 1920–21,

Paul Goesch

Architectural fantasy, c. 1920–21,

Paul Goesch

Architectural composition (Triumphal arch) or Visionary design for a freestanding gateway, 1921,

Paul Goesch

Visionary design for a capital surmounted by a seated angel, probably December 6, 1920,

Paul Goesch

Abstract composition, c. 1920–21,

Bruno Taut

Illustrated letter with a drawing of a project for the monument to the dead, December 23, 1919,

Lyonel Feininger

Gelmeroda, 1920,

Wassily Kandinsky

Untitled, 1924,