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July 4–October 10, 2016


root ball

Root ball
Common buckthorn
Stone Hill, gathered December 2015


TRANSCRIPT:
With regard to making art, even the most objectively rendered image is a product of the imagination. But regardless of idea, media, or technique, all images are bound by precise time.

I am fascinated by the layers of time at Stone Hill. As I make art, I am always cognizant of where we are in time, as well as where time is being recorded—sometimes quite literally in the autobiographical text I weave throughout my paintings.

I've chosen to celebrate a root ball of a fallen cluster of buckthorn trees not far from the old Stone Hill Road that has been in use for more than a century. The trees have telltale growth rings that show how time has moved and been recorded. I’ve recorded my appreciation of this tree and roots with drawings—making them from one season to the next, one after the other, as time happens.

These drawings are made in a book that is not a sketchbook, but a small photo album where I appreciate the literal passing of a life. What interests me is how the passing of my wife is embraced by drawing a tree, a tree whose rings have seen countless other wives living and passing. In fact, someone skilled at counting rings could probably pinpoint exactly how many lives have come and gone on Stone Hill since this tree was a sprout.

 

Stephen Hannock is an American luminist painter known for his atmospheric landscapes and incendiary nocturnes. The artist has demonstrated a keen appreciation for the quality of light and for the limitations of conventional techniques for capturing it. His experiments with machine-polishing the surfaces of his paintings give a trademark luminous quality to his work. The larger vistas also incorporate diaristic text that weaves throughout the composition. His design of visual effects for the 1998 film What Dreams May Come won an Academy Award. His works are in collections worldwide, including The Metropolitan Museum of Art, The Whitney, The Yale Art Gallery, and The Museum of Contemporary Art San Diego.

 

Recovering Place: Reflecting on Stone Hill
By Mark C. Taylor
An illustrated book chronicling the land art and sculptures created by Mark C. Taylor at his home in the Berkshire hills, echoing themes found in the exhibition. Supported in part by Herbert A. Allen, Jr. and the Clark Art Institute and published by Columbia University Press. Call the Museum Store at 413 458 0520 to order.